scoochie9 wrote:
I actually thought the reason George didn't want Madelaine there was because he wanted to keep his family life and current life separate.
At the end of the film, I think George has decided he is not going home again if he can avoid it. A connection between Madeleine and Ashley could complicate that.
George can comfort Ashley after the death of her baby because they have a close relationship going way back. Madeleine would just be a foreign element however much Ashley may like her.
One reason for George not to go home is that his presence in the family home just reminds Johnny of how he has repeatedly failed in his mother's eyes. Johnny is miserable when George is around. (I think Johnny is miserable having to live in his parent's home, i.e. around his mother, but it is even worse when his successful brother is there.)
It is not George's fault that he was a star or that his mother constantly made invidious comparisons between the brothers, but he is aware of the results. George cares about his brother and would like to connect to him, but their history makes it impossible.
That George stays to comfort Ashley in the hospital, after Johnny just can't deal with it, is once again an example of George succeeding and Johnny failing. That is why Johnny hits him.
I believe that if Johnny ever perceived the real closeness between his brother and his wife, it would destroy him. His mother preferred George; can you imagine how he would react to even the barest suspicion that his wife prefers George.
...a kind of projection of his own guilt and anger at himself for having escaped his family earlier. Mild survivor guilt, if you will.
That is a good point. George may well feel guilty that he has abandoned his family. I don't think he ever rebelled against the world of his childhood. He fit in while he was there, but he knew he was different, and when he could, he just left.
I think the idea that he was in pining-away love with Ashley is VERY interesting! Most certainly a possibility.
It would certainly be a distinct possibility in a typical television program or Hollywood film. It would fit right into a melodrama, but I am quite sure that
Junebug is not a melodrama. See the quote from Phil Morrison above.
I don't see anything in
this film to suggest that George is "in love" with Ashley. There is a real closeness between them in the bedside scene, but I don't detect any element of romance. I believe that people wonder about that possibility only because it could well be the case in other, and different, films.
(There is good evidence that Ashley is not "in love" with George. The way that she reacts to his wife makes it clear that there is no sexual jealousy on her part.)
P.S. The mother's best chance to have George come home more often is to establish a good relationship with his wife and appeal to her sense of family. Instead, the mother insults and rejects Madeleine. I think this tells us a lot about the mother.
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