Mrs. Lovett is better here than in the original play


Helena Bonham Carter's version of Mrs. Lovett is honestly the best version, in my opinion. What makes her better than the stage version, is how much more believable her motivation for falling in love with Sweeney is.

In the original Broadway show, Mrs. Lovett is always upbeat, peppy, and chatty, in spite of the financial hardships and loneliness she endures. This works in creating comedy, but it also makes her feel somewhat cartoonish and silly. By contrast, Helena Bonham Carter plays Mrs. Lovett as a much sadder, more miserable soul, one who falls in love with Sweeney out of desperation after not having had a male companion in her life for so long. It may sound like a rather insignificant change, but the fact that Carter portrays her as less of a chatterbox and more of a lonely widow, makes her quick and sudden romantic feelings for Benjamin much more believable.

In addition to that, her relationship with Toby is also far more complex and nuanced than that of the play. Unlike her stage counterpart, the Mrs. Lovett of the film actually shows regret and remorse over having to lock Toby in the oven basement, as she displays a visible look of sadness upon closing the door. The subtext of Toby beginning to see Mrs. Lovett as his maternal figure is also emphasized much better here, as there is noticeable look of shock on her face as he drags out the word "ma'am" when addressing her. When she cradles him in her arms, there is a look of genuine maternal love for Toby in her eyes, something the Mrs. Lovett of the play never seemed to have.

By comparison, that version of the character seemed largely one-dimensional, whereas Carter's is full of internal conflict and layered emotions. Much of it stems from the script and Burton's direction too, of course, but a lot of it has do with Helena Bonham Carter as well, who brought so much depth and complexity to a role that didn't have much to begin with.

While not as good as the play overall, for me, the Mrs. Lovett presented in this film is a huge improvement over the original and is the definitive version of the character to date.

Who's with me?

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Oh bull. The play is lively and fast-moving, as are any decent performances of the main roles. Depp and Bonham Carter are flat and lifeless in the leading roles, that and their ludicrous wigs and makeup drain all the life, suspense, and fun out of the play. AND they fucked up the magnificent score, which is unforgivable!

Almost any community theater Mrs. Lovett will be better than Helena. And if Burton had to have her in the film, because they were married and he liked having her around, she should have played Lucy.

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You do realize that film and theatre are two completely different mediums, right? That lively, fast-paced approach to the acting wouldn't translate nearly as well on screen as it did on stage, it'd just look goofy and silly. The acting on Broadway has to be big and grand for it to register with the audience but with film, subtlety and believability is what's required, as the presence of editing and cinematography fills in the need for theatrical performances.

No offense, but if Burton had directed it the way you want, it probably would've been complete shit.

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You think fast-paced and lively action doesn't work on screen? Have you never seen a filmed comedy???

What doesn't work on screen is the huge gestures and projected voice of theatrical acting, but any decent screen actor can do it at the level that works for film -and both Depp and Bonham Carter have done pwrfectly fine jobs of being fast-paced and lively in other films. Not that they should have done the same in "Sweeney Todd", no, this is one film where they needed to step aside and let two actors who can SING take their jobs.

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It won't work on film because it wouldn't feel natural for characters dealing with such severe grief and sadness to act like that. In real life, people that are internally sad and broken are more likely to speak in lower voices and mentally process things slower, as their emotions tend to put a weight on their external responses.

On stage, that doesn't matter, as theatre acting isn't all that concerned with realism or nuance to begin with, as presence and broad expressiveness is more important there. But on film, characters need to be performed in a manner we can relate to so we can actually grow to feel for them and in that sense, Helena Bonham Carter completely knocks it out of the park with her portrayal of Mrs. Lovett here.

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Yes, the characters are lonely and desperate, and if you haven't seen people who try to cover their loneliness and desperation with cheerful chatter then you've either spent your life hanging out with Goths, or you're so lacking in perception that you've never been able to see what's underneath the cheerful chatter of the lonely and desperate people you know. The world is full of Mrs.-Lovett-lites, people who think that showing their true feelings will make matters even worse, who think that if they're cheerful and friendly they'll attract friends, allies, lovers, anyone who might be useful, or who at least think that if they're friendly they'll be able to get away with more.

So yes, in most productions Mrs. Lovett is played as inappropriately cheerful, and Bonham Carter played her as bored, which was no fun at all. And Todd is usually played as being on a bit of an emotional roller coaster, furiously angry underneath, and anything from gleeful to psychotic to heartbroken to murderous as events dictate... while Depp was just sulky.

The play is very much a dark comedy, the absolute darkest of dark comedies, where murders and cannibalism are played for laughs up until the last act. If you've ever seen a live performance, you'll hear the audience laughing their heads off for the first 3/4 of the show, because it's hilarious! And I really thought that the show would have been in Tim Burton's wheelhouse, and rarely have I been so disappointed by a film adaptation of a show I love. It turns out that Burton didn't have the nerve to let the show's comedic, tragic, and melodramatic elements shine, he pulled back at every turn, trying to make an overwhelming story merely whimsical, with as much emotional depth as "A Nightmare Before Christmas". Someone should have sat him down, and forced him to watch good dark comedies, like "Doctor Strangeglove", "Bad Santa", "The Ruling Class" or "Kind Hearts and Coronets", to see how it's done. And whimsy is NOT how it's done.

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Uh, no. It's common knowledge that those who are suffering from depression tend to lock themselves in and withdraw themselves from social interactions. Not many people will go out of their way to crack jokes and be social if they're incredibly sad deep down, and the ones that do, are usually aided by the use of stimulants. Why you're trying your best to argue against this well known aspect of human psychology is way beyond me.

Helena Bonham Carter didn't play her as bored, she played her like a real person. It may not be as fun, but for a film adaptation, it makes sense to dial back on the whimsical humor and place more emphasis on drama, as the cheerful, upbeat Mrs. Lovett wouldn't read nearly as well on film as it did in the play. Had if it been a straight up farce, it may have worked but since Sweeney Todd had always been a dramatic tragedy first and a dark comedy second, this more subdued approach to the character was what's needed for film. If it made use of the same broad, tongue-in-cheek humor the original play did, it would've made for a tonally awkward and disjointed experience, as it would suck the audience out of the drama in a way it wouldn't on stage.

If you paid attention, though, you'd see that much of the humor in Sondheim's original play has remained intact in Burton's adaptation. It was just dryer and more subdued, as what was needed for a film version. If you honestly expect to receive the exact same viewing experience across two completely different mediums of storytelling, then that just shows how little of an understanding you have of film vs. theatre.

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Depressed? I don't think either of those characters are depressed, and neither should be played that way. Sure, they're both deeply unhappy, but that's not the same thing as being depressed. I think that deep down Todd is psychotically angry, I mean he has cause, but the anger is still enough to completely destabilize his psyche. And Mrs. Lovett is a straight-up sociopath.

You really don't seem to understand much about these characters. Or comedy. Or acting. Or humans.

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In the original play, they weren't but in the film, they are clearly much more dour and melancholy. Like I said earlier, the point of an adaptation is to swap things out that may not work from one medium to another and replace it with something that does. In this case, having Sweeney go through those rapid, sudden mood swings purely for the sake of adhering to the original play's humor, would've created a disconnect between him and the audience as he wouldn't feel like a real person. In real life, a person who just experienced the amount of shock and psychotic anger upon losing his chance to commit vengeance, wouldn't suddenly act so giddy and peppy just 'cause their partner gave them some nefarious plans to work with. A person who's experienced as much loss and sadness as Sweeney has, would likely be much more dour and psychologically depressed than maniacally insane in real life.

Mrs. Lovett too, would likely be more cynical and sarcastic than overly peppy and upbeat if she were a real person. Someone who has to work tirelessly to support herself without a single friend or companion by her side, would likely not be the most jovial of people. Again, like I said earlier, the fact that HBC portrays her as a much sadder, more depressed looking person, makes her quick and sudden romantic feelings for Todd all the more believable, as she sees him as a chance at happiness she hasn't had in a long time. The fact that she grows to have more genuine feelings for Toby in this version and shows visible sadness upon having to lock him in the basement, is an added depth that wasn't in the original. That's why I started this post in the first place, as I felt the character was better BECAUSE she was different to the play, not because she was exactly the same.

It's clear that you never understood my overarching points at all and just decided to cling to your preference to the original without having considered what I wrote. I feel sorry for your ignorance.

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There's nothing less entertaining to watch than depression!

And that's the problem with the film that most people have with the film, including myself - it just wasn't entertaining. Not comedically, not musically, not dramatically. I've seen the stage show live, constant audience laughter or gasps of horror! Film audience... few laughs, no gasps.

If you like the film as it is... well. It's nice that one person likes it.

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Yeah, for a film with a score of 86% on Rotten Tomatoes, an 83 on Metacritic, and a 7.4 on IMDB, I'm the only one in the world who liked it, apparently. I suppose the fact that Stephen Sondheim himself liked it means nothing.

Good God, are you stubborn.

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And yet, the film sucks.

Fuck yeah, I'm stubborn!

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No. Angela Lansbury can't be matched as Mrs. Lovett. I like the movie, but I will always love the original play more.

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I kinda see what you’re saying but I disagree. Mrs. Lovett is there as the character who indulges and enables Sweeney Todd’s dark side even more, making her responsible for everything Sweeney does, and I felt like Helena Bonham Carter played her more like Sweeney Todd’s abused girlfriend rather than his accomplice. It’s not a bad way to portray the character, but it is inconsistent because now it’s harder to see Mrs. Lovett doing the horrific things she does in the story. Watch Patti LuPone’s take on the character and you’ll definitely see a woman who serves up human corpses in meat pies to customers without a second thought.

Or, if Helena Bonham Carter had to play Mrs. Lovett, she could’ve at least gone the Bellatrix Lestrange route in portaying Mrs. Lovett, she obviously has it in her to be that psychotic.

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