It may be best not to be too judgmental of the parents. I heard a segment of "This American Life" and the story was about a child that had decided mental challenges. He was autistic and he was also violent and combative. Their other son lived in fear of his brother and without going into detail, some of the things that their child did makes Charlie look good. The parents weren't bad, as best as I could tell; they just couldn't supply an environment in which their son could flourish. After much soul-searching they sent their child away to an institution and not only was their child doing better in a structured environment (it's the only time in the story that he is portrayed as happy), mother, father and son could heal as well.
I am not a parent and I cannot speak to each situation. Are there bad parents? Certainly. Are there days when good parents make bad choices? You bet. In the context of the film, I think these were basically good parents that had a child that needed attention they didn't know how to supply. Love is essential, but it can create blind spots. It may not have been the best storytelling technique, but I believe that the ending implies that they were doing better as a couple, because they dealt with the child and what is missing is the soul searching and arguments about what needed to be done. For me, I appreciate filling in the gaps myself, sometimes. My only issue could be that Charlie has almost no sympathetic traits whatsoever, but this is a movie, not a series.
If the child has been institutionalized, there is no need to keep the room as it was. Could you imagine this couple looking nostalgically at a book on how to skin animals or keeping his burned toy soldiers? There is nothing to imply that the parents did anything horrible to the child.
On another note, I think the title, "The Great New Wonderful" is quite apt. It implies happiness yet doesn't specify anything. This film seems to be about awful situations and denial:
- One of the bodyguards is not dealing with the side of himself that wishes to stray from his marriage and the other is angry with him for not being honest with himself and also for having such feelings and potentially acting on them.
- One woman's fortune is based on extreme competition, tense politics and it all results in the loss of a job and even a suicide...over exclusive cake design.
- One man has seen some unseen tragedy and he is trying to suppress that everything is A-OK, even though his girlfriend has left him and he seems to be a bit of an outcast at work. Even a complete stranger susses that something is wrong with him, even though he sees him for less than a minute (Lou on the elevator, if you wish to see what I'm talking about).
- A couple's love for a child blinds them to the fact that, in his on twisted and sad way, he is crying out to them that he isn't happy and that they aren't happy as a family.
- A woman suppresses her feelings of loneliness and rage and even stifles her artistic side. Nice touch at the end to go from collages and back to drawing.
Each situation has an odd healing or deciding moment:
- The affair "heals" the bodyguard. When the bodyguard breaks down and cries about his affair, the other can finally deal with him.
- The suicide "heals" the cake designer. She may be the most callous person in the movie; she asks to use the bathroom, rather unemotionally, upon hearing about the death of her rival, fires an employee with foul and homophobic language and strands him, but perhaps, and JUST perhaps, she realizes that her profession isn't worth taking her life.
- Clocking a therapist with a chair "heals" the office worker. Through unorthodox and questionable methods, the office worker realizes that he must deal with himself and his feelings.
- A vivacious and happy man "heals" the lonely woman. His intentions, it turns out, are benevolent, and she sees in him a person of her generation happily married and it stops her from straying. It frees her artistic side and even though her husband is still not talking at least they are watching TV together.
All of the above has the pall of 9/11 over it. Each character in crisis has a reaction that somehow relates to the tragedy of that day and it's aftermath, with almost no mention of it.
Best film I've ever seen? No. Worst? No. It's a very good one, though. It is not for all tastes and it does take a bit of work to get into it.
reply
share