Political Correctness


Are the contemporary adaptations of this play victims of political correctness?

It has taken Shakespeare's meaning (whether you agree with it or not) and twisted it so it doesn't offend.

Movies that categorize ethnic groups like the Godfather, Goodfellas, Scarface are shown without reservation, yet directors and producers feel compelled to alter this work.

reply

How do you figure it doesn't offend? Shylock was a dick.

reply

I totally agree with Rick here. The portrayals here have indeed been twisted and made "cheap". Cheap in the way like, reading a made-up story in the tabloids when you know that story to be false. Indeed, when you walk away from this movie, you should be prepped just about right to betray yourself further.

And what is up with Jamaican-looking Africans playing Moroccans? Might as well cast a filipino to play a korean in the next korean period piece. :P

reply

How do you see it as being altered, for political correctness or any other reason? As I recall, the movie adheres very closely to the text of the original play.

reply

In respect to him being a sympathetic character, I can't speak for Shakespeare's intent, but I don't feel Shylock was supposed to be that multi-dimensional...I think he was supposed to be a true, one dimensional villain.

It seems like his character has been modified to dismiss making a sweeping generalization about a particular group/religion.

It's almost like a completely different adaptation

reply

Perhaps, although Shakespeare is always like that. The language is so nuanced, you can get quite a lot of different interpretations out of almost any piece he wrote. Which is the magic of Shakespeare. But Shylock is, I'd argue, actually rather more nuanced than most of Shakespeare's other comedy villains. It's hard, for me at least, to read the 'hath not a Jew eyes' speech and think he's just supposed to be a cackling cardboard cut-out. He has clear motivations for trying to destroy Antonio, and touches of genuinely warm characterization (I can't see John the Bastard being upset about his daughter selling a ring he gave his dead wife.)

I agree that this, like most modern adaptations, probably evokes more sympathy for Shylock than Shakespeare's original production did, but then again, it's not playing for an audience of people who've never met a Jew, and were raised on Renaissance-era anti-Semitism.

I thought this adaptation was fairly lackluster (and with Pacino and Jeremy Irons, I don't know how the heck they did that), but true to the text.

reply

I pretty much agree, and am having to answer the question of whether or not modern adaptations are too sympathetic for a literature course. I don't see how people can honestly say that they can't see how there is a question of this film possibly being guilty of this. I agree that the 'hath not a Jew eyes' does challenge the idea that Shylock is a completely unsympathetic villain, but I think the whole intro about the ghettoiasation of the Jewish populous is very heavy-handed and cheap. By being deliberately reminiscent the situation running up to the extermination of the Jewish in Nazi Europe, it switches the focus and sympathy of the play. In terms of the text, after the weird introduction, it is pretty faithful, but that little segment completely changes the tone of the original, but now stops the rest of the film from really working as the dominant story no longer fits if Shylock the victim. It isn't even a play that I really like, but for a contemporary audience, making Shylock too sympathetic just makes it even more problematic.

reply

" the whole intro about the ghettoiasation of the Jewish populous is very heavy-handed and cheap"

Yes thanks, and it is strictly CYA material. They're making a movie about a notorious antisemitic play, and they are doing so by saying, hey, we don't hate Jews; we hate a more popular target. Catholics.

http://www.amazon.com/Save-Send-Delete-Danusha-Goska/dp/1846949866

reply

I don't get why so many don't understand how the 'Hath not a Jew eyes' speech plays into the anti-semitic tropes of Shakespeare's day and doesn't make Shylock appear very sympathetic.

Shylock is basically reducing his own role as a moral actor in his own deeds. He's excusing his misdeeds by reducing his own agency and all of his faults on Christian society. This is a basically the form of the anti-semitic Polish proverb: "The Jew cries out in pain as he strikes you."

Shylock is asking for sympathy from his accusers while simultaneously shifting blame for his misdeeds on to them. He finishes his speech essentially saying he has no forgiveness or mercy in him, but that this is likewise something inflicted upon him by Christian society rather than either a personal or collective Jewish failing. He's literally begging mercy for his own lack of mercy, and from the very people he claims he learned his mercilessness from. It's a deliberate double-bind, and deliberately insulting.

The 'Hath not a Jew eyes' speech was probably pretty insulting to Shakespeare's intended audience. People get to the 'If you prick us' line and stop thinking about anything after that. Shylock is obviously "guilty", and there is no real claim that he isn't. He's being asked to show contrition which he refuses to do. In courts in the 21st century, at sentencing you certainly still have the opportunity to inform the judge of your recalcitrance so that he may lock you up and throw away the key; which is exactly equivalent to what Shylock does. "Go light on me judge, because whitey had it coming!"

Shylock isn't a complete villain but he's clearly not meant to be a traditional protagonist and the portrayal isn't very sympathetic. Even in his eventual attempt at contrition he is still portrayed as 'jewy'. The best evidence for Shylock being intended as a sympathetic character is his forced conversion to Christianity, which to the audience at the time would have been a happy ending for Shylock (he can possibly go to heaven) as opposed to the happy ending for Venice in which Shylock hangs.

Although you could even spin that ending as a display of Christian 'mercy' in that the rather despicable Shylock gets a chance at redemption despite what would be best and most convenient for Christendom (decreasing the number despicable non-Christians) and is just a pat on the back of the audience despite Shylock not actually displaying any characteristics that warrant such mercy in the first place. It makes the Christians in the play and the audience seem all the more merciful the more despicable Shylock is portrayed (while at least meeting the minimum requirement of bleeding red blood).

reply

None of Shakespeare's villains are one-dimensional and if you pay heed to many of the words given Shylock he is a sympathetic character - this is classed, after all, as one of Shakespeare's comedies. If anything the film makes Shylock's predicament and eventual situation darker. Who could not feel for his enforced faith when he sees the synagogue from which he is forthwith shut out from?

A man chases a woman until she catches him

reply

None of Shakespeare's villains are one-dimensional and if you pay heed to many of the words given Shylock he is a sympathetic character - this is classed, after all, as one of Shakespeare's comedies. If anything the film makes Shylock's predicament and eventual situation darker. Who could not feel for his enforced faith when he sees the synagogue from which he is forthwith shut out from?

Very good. Shylock is abused for years and then forced to become a Christian, by the very people who will continue to abuse him until the day he dies. He ends the play shut out from his friends, he hasn't been paid back, and even his faith has been taken from him. The Christians look very bad in this play-I always wondered what was in Shakespeare's mind, whatever his contemporaries may have thought.

http://thinkingoutloud-descartes.blogspot.com/

reply

I agree. Shylock is much more complex than many think. If one reads Shakespeare's plays, one will see that Shakespeare's main characters are very nuanced. There are many sides to their personalities.

"I always wondered what was in Shakespeare's mind, whatever his contemporaries may have thought."

I like this comment. In Shakespeare's time, England was Protestant, with Queen Elizabeth I as leader of the Church of England. There were few Jews in England, and Catholicism was outlawed. There are those who believe that William Shakespeare was a "closet Catholic." Could this be true, and could it have influenced his plays? We will never know.

There was a BBC television production of "The Merchant of Venice" in the 1970s with Laurence Olivier as Shylock, and his wife, Joan Plowright as Portia. It had an interesting ending. After everyone returned to Portia's estate and the play itself had ended, there was a sort of epilogue. Jessica is given a letter from her father. While the others enter the house to celebrate, Jessica and Lorenzo read the letter. As they do so, the soundtrack plays a cantor singing Kaddish, the Jewish prayer of the dead. From this, and from Jessica's reaction as she read the letter, it is suggested that Shylock committed suicide instead of converting to Christianity.

Just some thoughts. I think it is wonderful that, whether we agree with each other or not, we can still discuss a play written over 400 years ago. I guess Shakespeare must have done something right.

reply