The Explanation
A conversation that probably actually took place.
Producer #1: Boys, the reason we called this meeting is because we think we’ve got a distribution deal.
Writer: Really? That’s great!
Director: I knew you guys could do it.
Producer #2: The only thing is, in order to get it, we had to promise to change the name.
Writer & Director (simultaneously): What?!?!?
Producer #3: Sorry, fellas, but nobody’ll touch “Children of the Corn, Part VIII.”
Director: Well, what about “Children of the Corn, Genesis?”
Producer #1: No! Listen, at this point the Children of the Corn series is so unpopular, it’s impossible to distribute even as direct-to-video, and this film needs a theatrical release to make us back any money.
Director: But this will be the best Children of the Corn installment ever! We’ve got good actors, excellent effects, a scary storyline that explains how the whole Children of the Corn cult got started, and we avoided showing the monsters clearly, to add to the suspense. This movie could revitalize the whole series!
Producer #2: You’re not getting the point. No one will see it with that title. Even serious horror fans stay away from Children of the Corn movies. It’s like the Amityville Horror, only worse.
Writer: But what about fans like us, who’ve been waiting for a good Children of the Corn movie for decades? Couldn’t we at least call it “The Corn Children” or something? Or how about a foreign-sounding title “Les Enfants des Mais” or “Kinder der Mais” or something?
Producer #1: I’m sorry, boys, but we have to be definite about this. TriStar won’t take it if we don’t get all references to the Stephen King story out of the title. Aside from the popularity, there are legal issues here as well.
Director: But this is a serious creative compromise!
Writer: I’ve got it.
Producer #3: Got what?
Writer: Let’s call it “Dead Birds.”
Producer #1: What kind of a name is that? There isn’t a dead bird in the whole movie!
Director: “Dead Birds”…
Writer: Exactly! It’s artistic, it’s like a blank slate, allowing the audience to project the meaning onto the canvas themselves.
Producer #1: Well, it sounds pretty stupid to me, but I think they’d accept it. Are we agreed?
Director: You’re sure we can’t call it “Dead Birds, the Children of the Corn Genesis?”
Producer #2: Sorry Alex, there’s no way.
Director: OK then, “Dead Birds.”