Very disappointing
This is one of those films that has a great premise but wastes it's potential almost immediately.I couldn't help but sit thinking of all that I would change about it. Helming a low budget ,B-movie is no excuse for being lazy, unimaginative and formulaic. The script is weak to begin with so it's hard to blame the actors for just drifting through their roles. I want to care about what happens to characters. Not because they're likeable, I feel the oppposite would have worked here. They should have been truly amoral, vicious, brutish men led by a charismatic sociopath anti hero with good lines. The dialogue is, at best banal and clunky. If a director has a script with weak dialogue which can't be rewritten perhaps the best course of action is to have it delivered in a mumbling, primitive fashion and kept minimalistic. Where is the backstory-apart from a brief dream/flashback-, where is the character development? The first wrong step is to have a (rubber) flayed man come charging out of a cornfield so early in the film and to have the characters react as if it's an everyday occurrence. We see the monsters too much, they should be held back, almost non existant, there by suggestion and briefly glimpsed in part only very occasionally. This would save money wasted on cheesey effects and perhaps pay for a decent director of photography. The lighting is too pin-sharp when it should be film noir gloomy and there are unlikely light sources throughout that detract from any sense of reality. Yeah, I know it's meant to be straight to video shlock but still, no excuse for mediocrity. Wrong Turn e.g. was of similar origins and still managed to hit a lot of right notes. Everything just looks too clean and bright. The director should have taken the actors out in their costumes each night before shooting, got them trashed then had them roll around in the mud. Banned them from washing and shaving, sprung unexpected shocks on them. Anything to give it all a rough and nasty edge. All of these weak elements are further dragged down by an incoherent plot. The American civil war lends itself well to horror, the fact of a nation in armed conflict with itself is dreadful enough. The rural, gothic southern states have all the right mystery and atmosphere. All that's wasted in Dead Birds.
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