MovieChat Forums > La meglio gioventù (2003) Discussion > Missing Giorgia in the end (SPOILER)

Missing Giorgia in the end (SPOILER)


If I recall the movie right, after Giorgia goes into her new house we dont see her anymore. It just keeps bothering me. Why do we not see that things go well for her in that house? But even more importantly, why dont we see that Giorgia is being told that Matteo has a son? She opens the movie and then later she introduces the last hour by making Nicola go to Mirella. But then at once her role completely ends. She is such an important person in the movie, already entering all the way in the beginning but then she is gone.

reply

Those aren't the only questions I have, becaause she IS pivotal. Is the reason that Matteo just does a 180 degree turn in career leanings, from the sensitive poet to the brutal soldier/cop is because of his guilt at just letting the cops take Giorgia away?

What else in his background could account for such an insane change in direction?

"He who swaps his liberty for the promise of 'security' deserves neither." Ben Franklin

reply

Actually, Matteo flipped out before the scenario with Giorgia. He ditched the whole academic scholarly pursuit thing. Walked out on his professor. He flunked the exam. Even grabbing Giorgia and running away with her was part of it. I do however think that not being able to help her sent him deeper in retreat from the world.

reply

Yeah I wish they had showed more of Giorgia throughout the film, she was such an interesting character and aspect of their lives.

It's odd to me that Giorgia and Matteo are on the cover of the movie--or at least the English version of it. It seems Nicola had a bigger part in the story than they did.

reply

That's marketing for you. Passion and romance sells. Reliable and honorable is boooooring!

reply

We do not see that things go well for her but we learn it anyway.

* * * SPOILERS AHEAD * * *

Close to the end, Nicola is sitting in the hospital's garden with young children and a nurse. A man brings him his mail. Before asking a boy to read one of the letters (which happens to be the one Mirella wrote to tell him about his mother's death), he flips through the mail whilst making comments. At some point he sort of says "Yet another postcard from Giorgia", therefore implying that she frequently sends postcards, thus is travelling, thus is fine.

Matteo failed to save Giorgia back in 1966 but, through his death and then his picture on the gallery's book, succeeded in leading her to combat and defeat her mental disease.

reply

giorgia has finished her rule as a "
mad" person she is "normal" now she lives like everybody else.I see her important for nicola work to save the hospitalized patients.In ital;y in the 70's Franco Basaglia elimineted all tyhe madhouses the increased use of psicopharmacy help that.

reply

I instantly thought of Mrs Dalloway in terms of the Giorgia/Matteo relationship. In Mrs Dalloway, Mrs Dalloway's story is paralleled with that of a shell shocked and suicidal WWI veteran. Both are unhappy and both are suicidal (although, Mrs Dalloway's suicidal tendencies are much more under the surface). Anyhow, the they never meet, but Mrs Dalloway eventually hears that the soldier has killed himself by diving out the window of his psychiatrist's office and impaling himself on the spiked fence bellow. While she never knew him, realizing that someone so young would throw his life away (which she reads as a defiant act to preserve his happiness) somehow gives her the strength to overcome her own suicidal tendencies and discover a renewed zest for life (whether it will last, however, and whether or not MRs Dalloway will ultimately once again succumb to her own depression is left open to interpretation as the book ends).

Anyways, I see Giorgia and MAtteo as having a similar parallel connection. They are both obviously mentally ill (or arguably anyway, as I think one could make the case that Mattaeo's act is entirely sane, while the rest of society has gone insane), even if Matteo's illness is kept under the wraps. Like the soldier in the novel, Matteo seems to adhere so rigidly to a code of honor in the film that he cannot sacrifice his ideals of justice (in the face of the corruption of the police department) so he kills himself. It's only after Matteo kills himself that Giorgia begins to inquire about his girlfriend, begins to talk, leaves the mental institute, and eventually gets her own apartment. They are obviously connected as characters (he is the one who eventually stole her from the institute after all, and it's meeting with her that ultimately makes him to decide to join the police force) so I think his death had a lot to do with her recovery.

Of course, I don't think the film explores this link between the characters much, which I ultimately found to be kind of disappointing and unsatisfying. But the more I think about it, the more their actions make sense (even if I wish the film had dealt a bit more with them as characters than it did with Nicola).

reply

I saw her as a catalyst, she was there to change their lives, not live them. THey gave her back her mental health, she gave them reason; reason to effect change, to explore their own inner turmoil, reason try. When Matteo died she didn't need to be there for him, Nicola was doing fine, her part in their lives was over. She gave them the strength to make decisions and stand by them, they gave her the strenght to live in the world again. Their lives together were complete.

reply

You are right, it would have been great to have seen her happy at the reunion at the end. I guess the postcard received by Nicola, just before he finds out his mother has died, is to tell us she is fine, happy and maybe even travelling?

reply

I feel she should have been invited to the wedding...

Jan 25, 2011 the day it all started. Walk like an Egyptian or just protest like one!

reply