The Departed seems a little stupid to me, the concept of remaking a film about a highly organised crime syndicate like the Triads then replacing them Boston street thugs is just ridiculous.
As for the acting, even Nicholson manages to get it wrong in TD, that cinema scene (amongst others) made it impossible to believe he could be an organised criminal. As for Whalberg, what was the point in him? There's no room for brawling loud-mouths at that level of law enforcement. Damon's character pales in comparison to Lau's in IA, he's a tactless bully without layers. In IA his character appears to be a skilled and intelligent sociopath who becomes conflicted by his desires to lead a normal life. DiCaprio does his part well enough, but no better than the actor who played Yan in IA. Sheen is also close to par, but you don't get any sense of the father/son relationship that is shown in IA, which I felt was one of the most important sub-plots.
Then there's cinematography, or lack of it in TD. IA's ostentatious rooftop face off made me believe that something big was about to happen and the spectacular shots of HK really added to the intensity throughout. Whilst in TD the lack of grandeur really kills the suspense. Smoky Boston bars and cheap diners are for small time hoods, not international crimelords - Although I'm not sure which Nicholson is, because first you see him taking protection money from a local café then later he's trading microprocessors (?!!?) to a bunch of well-armed Triads (but not before he's managed to patronise and mock them with casual racism first.)
The biggest difference was of course the ending. In Infernal Affairs, when Yan realises Lau is a mole, he realises his identity was killed with the police chief. This is why he (and he alone) must confront Lau on the rooftop. However in The Departed, Marky *beep* Mark Whalberg knew all along, so there is no need for a stand off! He can simply go find his buddy and they can arrest Damon without incident. It's worth mentioning that the way Lau gets away with it in IA was excellent, it's disappointing that Scorsese went soft and chose a bittersweet ending.
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