Warp, you explained that perfectly.
I too watched Everwood in a non-stop marathon, and the faults do come out pretty strong if you are watching it in that stream for the very first time. If it was something you were tuning in on every week or so, I don't think it would be distracting.
I was positively infatuated with Greg's emotional points in this show, because he made them believable for the type of kid that he was portraying, but after a while, I tired of the constant back-to-back-to-back-to-back long winded rants the writers kept drilling into the screen out of him, and began to really side with his Dad, something I hadn't been doing in the beginning. I'd be like, "Gosh, this kid REALLY needs to be shut up."
Then I did realize that "annoying" seemed to be the point; most of Ep's personality traits, including the endearing ones, were in one way or another projected as a "fault" [such as not having a filter when he talks/cracking really corny "mind-loop" jokes that take forever to end]. He's flawed and it's meant, which work as pros and cons to the people around him. The narration would practically point out when such portrayals were meant. Within the context of his "My Tragic Flaw" dialogue, he did state his was, "my inability to change," ---until some of it did happen as he grew older, in my opinion. Nothing big, which was another point.
I really could not get into Amy after three full seasons, though...there's something dull and stereotypic there, and, sometimes the whole "break up no we can't be together yes let's try this no we can't do this" just felt forced by the writers once the Madison thing ended [which I thought WOULD feel forced, but shockingly, turned out...natural? Could've done without that random first kiss, though]. String-dangling always feels forced.
I really do agree with you, though.
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