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The meaning of the movie AND the last scene . . .


I have to admit I have ALWAYS been confused by the last scene as well as the meaning of the movie.

I may have found, to my own satisfaction if no one else's, what is going on.

Last night, I watched the movie again. I was still as confused until literally the last moment of the movie, when I watched the tilt pan--the upward sweep of the camera--into the stars. I caught a very brief sight of three stars in a row. We've all seen it in the night time sky.

I looked up the constellation. I believe the stars, interpretively or otherwise, are in the constellation Cygnus. The constellation is visible in the summer and autumn It features the Northern Cross and has the famous three stars almost in a row. (The stars in the IFC cut are visible for a very brief time.) The name is an adaptation of a Greek word that means swan.

In mythology, the name Cygnus is associated several times with swans.
* Zeus disguised himself as a swan to seduce Lyda, the wife of the Spartan king, Tyndareus.

* Orpheus was transformed into a swan after he was murdered, and he was placed in the sky by the ruling deities next to his lyre, an instrument of pleasure and expression.

* In Ovid's poem, Metamorphoses, three people are named Cygnus, all of whom are transferred into swans.

* And in 16th Century art, women were frequently shown as having sex with swans.

It's obvious that Hank Grotowski undergoes a transformation, like a swan transformed from an ugly duckling, from racist man filled with rage and hate, into a man who falls in love with Leticia, and treats her very tenderly and lovingly. The transformation begins after Sonny commits suicide in his presence, when he is called on by Leticia, whose son is killed by a hit and run driver. We can see Hank struggle with the decision whether or not to help Leticia. He does, and is thus thrown into the roll of hero.

But Hank is not the only hero. Leticia, obviously, grieves for her son, and is at least deeply rattled by the execution of her husband, Lawrence. (We know that Leticia was hurt many times, perhaps in many ways, by Lawrence. And we know because as, Lawrence is led away back to the execution watch cell, he apologizes for the times he has hurt her. We get a glimpse of the inner character of Lawrence when, coldly and deliberately, he tells the warden to "flip the switch" when the warden asks if he, Lawrence, has any last words. His eyes are empty orbs of hate, perhaps the same expression he had when he killed or raped his victim or victims.)

And Leticia has probably been without sex for years. When she asks Hank to come in when he takes her home after Tyrell has died, she drinks whiskey and asks Hank to "make me feel better." As I watched the scene this time, I realized that, when at the end of the sex, she says, "I needed that so much," or however she expresses it, she is not talking merely of the sex. She is also speaking of her need for male contact, for at least the pretense of love. It's important to note that, in what we see of Leticia's life, every man she interacts with somehow mistreats her, except perhaps for the concerned men neighbors who come over to see what's going on when the sheriff's deputy shows up with the crew to evict her.

It is at the point of their lovemaking that she begins the process of rescuing Hank from his hate-filled, evil self. See, she, too, is a hero. (The change in him happens just a little bit at a time, when Hank admits he wasn't much of a father to his son who died.) Leticia is not aware that she is helping him, but we see the changes in him start and come about. Hank's change is so complete that he quits his job, gets rid of the very influence and source of evil in his life, Buck, and, he repaints the house to make it lighter. He gives Leticia Sonny's truck. And, we happily note that she begins to return his gift with affection. Buck, of course, ruins that and almost, by his action, crushes Hank and Leticia's relationship.

Now, the meaning of the last scene: Leticia goes upstairs when Hank goes for ice cream, and is alarmed that Hank has the portraits of himself and Sonny drawn by Lawrence. She becomes enraged because she fears, and believes, that she has once again been drawn into an abusive situation at the hands of simply another man--this time, a white man, the son of the man, Buck, who deeply wounded her by his reference of her as *beep* juice[/i].

She comes down the stairs, bewildered and unsteady, to meet Hank who is happily returning with a chocolate ice cream and plastic spoons. He has no idea what has happened to her, but he invites her outside for ice cream. He hands her a spoon. She does not immediately dig into the ice cream, but she groggily looks around, at the lawn and at the three graves at the back of the property. It seems to me that, at that moment, she begins to understand that Hank, too, has suffered great loss and hurt.

Now rather than abusing her, Hank offers her a bit of ice cream from his spoon. She takes it and almost smiles. Her look seems to be a hint from her that she begins to understand that she is safe and loved. Hank has already told her he wants to take care of her, and she has already told him that she's ready to be taken care of. In the past few minutes, he has sexually satisfied her orally without requiring that she relieve him also. (Perhaps Hank is the first man to give her pleasure and love without a selfish purpose.) AND, he tells Leticia that he went by their station, and that he really likes the sign. Of course, the sign says Leticia's.

Leticia, rather than retreating and being angry, though cautious, takes the ice cream and savors it. When Hank has eaten his ice cream in her presence before, she has always been an outsider to Hank's moment of self-indulgence. This time, she is a participant in his happy little moment.

As for Hank's use of plastic spoons, who knows physically why he uses one to eat his ice cream? Perhaps he has tooth fillings that, along with the cold of the ice cream, hurt him if he touches them with a metal spoon. But in the course of the movie, the plastic spoon is a symbol that, at first, is the symbol of his momentary self-indulgence, but it becomes symbol of his love for and sharing with Leticia.

That's my rambling take on the movie and the meaning of the last scene, anyway. You can probably do better.

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Thank you for this comment.

I just watched this for the first time (on Ovation), and really felt some suspense building in those last few minutes.

She was angry/hurt/feeling betrayed when she saw the drawings, then when Hank gets back with the chocolate ice cream, she seems apprehensive and scared.

What was making it suspenseful for me, was in that look of shock on her face. Part of me was even wondering if she had found a gun, or knife, and was going to do Hank in, because of feeling betrayed, when finding out that he was the man that "killed" her husband. I was actually glad I hadn't read up too much on the movie earlier, so as to have avoided any spoilers.

Anyway, your comment pretty much puts it into perspective for me, basically confirming that her behavior around him at that point, was from being scared, and then your comment takes it further, in explaining why she was probably afraid.

What are you looking under here for?

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What was making it suspenseful for me, was in that look of shock on her face. Part of me was even wondering if she had found a gun, or knife, and was going to do Hank in, because of feeling betrayed, when finding out that he was the man that "killed" her husband. I was actually glad I hadn't read up too much on the movie earlier, so as to have avoided any spoilers. 


I thought the same thing, but that can be put down to Berry's awful acting.

Poorly Lived and Poorly Died, Poorly Buried and No One Cried

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Roger Ebert I think gets it right in his review:

Students of screenwriting should study the way the film handles the crucial passages at the end, when she discovers some drawings and understands their meaning. Here is where a lesser movie would have supplied an obligatory confrontation. Leticia never mentions the drawings to Hank. Why not? Because it is time to move on? Because she understands why he withheld information? Because she has no alternative? Because she senses that the drawings would not exist if the artist hated his subject? Because she is too tired and this is just one more nail on the cross? Because she forgives? What? The movie cannot say. The characters have disappeared into the mysteries of the heart. "Monster's Ball" demonstrates that to explain all its mysteries, a movie would have to limit itself to mysteries that can be explained. As for myself, as Leticia rejoined Hank in the last shot of the movie, I was thinking about her as deeply and urgently as about any movie character I can remember.






Also remember Hank is into ice cream, we see him eating it in a few scenes before, so it looks like he's bringing her into his world.

Another thing, I think it was a good choice on how he brings the spoon to her, she doesn't lean towards him or move at all. I think it's a very powerful scene.

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I agree with what you've said. At first I was really disappointed when I saw her looking at him with shock in the kitchen - I thought she was going to attack him or run away. But I think when she sat with him, as well as all the things you mention about feeling cared for, him feeding her, being gentle, having been so giving in their earlier sexual encounter without expecting reciprocation, she also remembered that he had left that job as a correctional officer - now he owns a station and he has named it after her and calls it 'theirs' (remember he earlier referred to the station as 'ours' when he told Buck about it, and Buck rejected that notion - he has replaced the hateful Buck as his companion in life and the one he cares for (who is ever ungrateful) with Letitia, who needs care and can let him fully develop the nurturing side of his character without judgement or rejection).

I think she realises then that he has undergone this transformation, getting rid of Buck, changing his job, painting the house, bringing her ice cream when she has been the one to bring him ice cream in the past. I think the small smile and sense of satisfaction on her face comes from realising that she played a part in his transformation for the better, and that is probably one of the first times she has felt powerful (and powerful in the sense of being a force for good). Lawrence had never been a good husband or father, and had obviously done some incredibly hateful things to end up where he did. So Hank's involvement in Lawrence's death, while being at first a shock, making her suspicious of some ulterior motive, also represents a further connection between the two of them, and represents the replacement in her life of Hank for Lawrence, as she has also replaced Buck. They are two people who, faced with pressures, hate and judgement from others in their lives, have made terrible mistakes and done terrible things to their children, but through their connection over common losses and hardships, have changed each other for the better and are able to start over.

I really enjoyed this film!

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Very interesting.

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Well, it's a stretch, but these people had monstrous qualities, and Hank was looking for redemption, Leticia needed to be rescued, from her point of view it's a bit of a Cinderella story, she at the end is gazing at the stars feeling like perhaps her husband and son, she looked at Hanks graves? Were looking down upon her, at peace knowing she was going to be ok. She was nearly in the street when she is saved, given a car, her coach, treated like a princess in ways she never had before, she was finally at the ball. She even didn't have her shoes on when she started to drive, they had no reason to tell us that. If I've learned one thing studying movies, no lines are wasted, nothing they show has no meaning, well in good films like this one anyway! No filler. I think the title was used to figuratively describe the characters and the story line. It is the name of the night before an execution ceremony thing and all, but I think they used the name of that to say the monsters were at peace and finally he'd overcome his own tyrant King and was becoming a loving 'prince' in the neighbourhood while she was a fable kind of female, who would now be taken care of, for her, in a palace by comparison. There's a magic in the air for her at the end, whereas he is at peace and says, I think we're going to be ok... It's a happily ever after done really well. No sentimentalist nonsense. The constellation is Orion by the way, and those three stars are his belt, what's interesting about them is that in Christian mythology, the 'star' is actually the largest star and brightest, it is Cyrious, and it is just below this constellation and those three stars in the original language were called the three Kings that followed that star, the whole Christ story was told by the wise men of the day, and they were astrologers. The early form of astronomers, they were looking for a child born under these stars. Check it out!

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The ice cream is a motif, a happy one. And the ending evokes a feeling of acceptance, overcoming and moving on.

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