What a total waste of Rocco Siffredi.
Catherine Breillat explores the same basic themes in every film, viz.: How men relate to women, how men hurt women, why women like it, why women hurt themselves, the arousing aspects of shame and dishonor, the subtler aspects of rape, of prostitution; power, innocence and experience, etc. etc. Right. So my question is, she's got Rocco Siffredi, who says more about gender, pain, sexual cruelty, machismo, the allure of virginity, of its destruction, the phallus as weapon, the beauty of female suffering and masochism, etc. etc. etc., in one sex scene than a gender theorist like Breillat could hope to express in ten straight hours of talking. Don't get me wrong, I sort of like Breillat, but I think she is at her best when she is showing not telling, as in the nightmarishly long deflowering that takes place in Fat Girl. So why cast Rocco as a mild, thoughtful, ultimately unsatisfactory lover as opposed to using his love of choking and breaking and tearing? He is the human realization of all that interests her.
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