Best SCENE in this movie!
I have to make a presentation on Almodovar and I have to select two scenes of any of his movies to show his style! I DONT KNOW WHICH ONES TO PICK!
Can anyone help me!
I have to make a presentation on Almodovar and I have to select two scenes of any of his movies to show his style! I DONT KNOW WHICH ONES TO PICK!
Can anyone help me!
It is always a good thing when you see that there are noble actions like a presentation for Almodovar. Now, you have to watch the following two movies.
1. Kika
2. Talk to her.
A third option can be "High heels".
this is funny. because i actually picked the rape scene from Kika and the bull fighting scne from Talk to her and the singing scene from bad education.
share*SPOILER*
I think the scene in AAMM when Esteban dies is a great example of Almodovar's use of editing and sound (asynchronous sound, fade-in/fade-out...that type of thing). Hope this isnt too late
The Agrado's monologue in "All about my mother".
This is one of my favorite scenes in any movie; where 'la Agrado' a transgender ex-prostitute tells the audience the story of her life. She starts with her name "They call me La Agrado, because I've always tried to make everyone's life more pleasant (agradable in Spanish)". And then she says: "aside from being pleasant I am also very authentic. Look at this body." ...and she starts talking about all the surgeries she's undergone to be so 'authentic'. The public of course laughs with her, but at the end, she delivers, what is in my opinion, one of the best lines in a movie ever:
"It cost me a lot to be authentic. But one should not be cheap in regards to the way we look. Because a woman is more authentic the more she looks like what she has always dreamed for herself."
All about my mother is a great movie about women, all kinds of women. And this monologue is a great homage to all kinds of women.
That's my favorite scene as well. I own the film but haven't watched it in a while until recently. This is always the scene that sticks with me the most.
shareI agree, the Agrado monologue is great, and her line "Una es más auténtica cuanto más se parece a lo que ha soñado de si misma" is my new slogan for my life. True, I'd say is one of the most memorable lines in a movie.
I also likes the scene when Manuela talks with Lola in Rosa's funeral, "you're not a person lola, you're a disease" or whatever it translates. it's sad when she reveals that she had Esteban, and Lola wanted to see him so bad, and she told him he died, it was so touching..
Bitch.. you don't have a future.. ~ The Bride ~share
Definitely Esteban’s death with regard to looking at Almodovar technically. The Agrado monologue is great but I think the scene where all four women are in Manuela’s apartment talking and joking together is important in showing how Almodovar is a great director of women it highlights some of the themes in the film of female solidarity. I just have to say that I love Agrado she is definitely authentic.
shareAlthough Esteban's death scene heavily relies on a scene from a John Cassavates movie
shareOf all the great scenes in this Almodovar masterpiece, I would also pick Esteban's death scene. In terms of visual language alone, it exemplifies some of Almodovar's strongest work. From the giant poster of Huma, to Manuela's reaction as Esteban gets hit, to Esteban's last moments of sight ... these powerful images leave a strong impression on the tragedy of this event. Some people already mentioned the editing -- the asynchronous sound -- which may seem off-putting at first, but really does work to emphasize her cry. Oh, that cry! It's as if she's channeling the pain of all women or of all of Spain. I remember when I first watched this movie, and hearing her cry over her son's body. It's one of the only moments when I've realized, while watching a new movie, that I was watching one of the great moments in cinema history. And seeing the movie for the second time, this same moment made me sure that All About My Mother is indeed a classic, in the greatest sense of the word. I usually don't agree with movies being considered classics until many years after their release, but I am confident that this movie will live up to the classfication.
By the way, which John Cassavetes film does this scene borrow from?
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