I like Jarmusch's notion of mixing up cultures, lifestyles and codes in this movie.
In the scene in Louie's apartment, you see symbols both Islamic (Kabe, or Qaba, however it's spelled in English) and Christianity (a cross) on the walls. (There may also be a Jewish symbol, but I can't remember).
Ghost Dog himself is a black man, who works for an Italian mobster and is following the code of Japanese warriors. His best friend is a French man. During the scene where the two see the guy building a boat at the rooftop, notice that all three men speak in a respectful and kind way, although all three speak different languages and do not understand each other.
As for the Mafia's having no reason to go after Ghost Dog... I think of it as the whole point, the main theme of the movie. As mentioned, there's no real reason for killing Ghost Gog (since it was the mob who approved and ordered the murdering of Handsome Frank in the first place) This is an extremely dysfunctional mob family, they can't even pay rent. (in a deleted scene on the DVD, their accountant explains to them how they are losing money in all the businesses they do). They appear to be racist (Indians, n**gars, same thing...) and they are shocked when they learn that one of them, Louie, is using a black man as his hitman, yet they have an Asian man among themselves. Sonny himself appears to hate blacks, yet he likes rap music. Nothing about them seems to make sense, perhaps it's Jarmusch's way of showing that violence is meaningless, or stupid men are dangerous, whatever, you can interpret it in a million ways.
I also agree with the explanation about Louie's and Ghost Dog's versions of how he saved him. I agree that Louie shot the boy simply because he pointed a gun at him; not because he wanted to save (or even cared about) Ghost Dog. He even admits that Ghost Dog found him some time later, saying "he owed him." Which means that Louie did not take care of GD, or even take him to a hospital, after saving his life. So it's obvious that he interferred with the beating only because it was a street fight in his neighborhood.
Henry Silva's character is a perfect caricature of his whole career, he's the never-smiling tough guy, yet he is irresistibly funny. He's a great actor in all his films, and hats off to the casting agent who chose him for this role.
Never be complete.
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