-His Girl Friday (1940) a remake of The Front Page (1931, I think). WAY. WAY. WAAAAAAY. Better. -The Maltese Falcon (1941, Humphrey Bogart *classic*) was a remake of, I think, a Bette Davis movie from around 1936 of a different name (although both were based on the same book) -Little Women (1949) beats out the Katharine Hepburn version (not to mention ITS remake with Winona Ryder, if you ask me...) -Bridge to Terabithia, but I don't know if that counts because if I remember correctly the original was a TV movie. A pretty terrible one. -as an adaptation, Scorsese's 1993 Age of Innocence beats out the 1930s one, partial as I am to Irene Dunne. -1995 A Little Princess remake of the original Shirley Temple version... a lot better, if you ask me
With this version of Psycho, though, I REALLY don't understand the point. If van Sant made virtually every shot EXACTLY THE SAME, what is the point of doing it?! So I know what color Marion's shirt was before she took it off for the shower? So he could show more skin? UGH, this is SO HORRIBLE.
"Just close your eyes...but keep your mind wide open."
I think that a good "re-imagining" is ok-like in the case of Halloween or Charlie and the Chocolate Factory-but something so completely stupid as this version of Psycho it is just a self-indulgent pet project meant to seem more important than it is and (loosely) veiled as an homage. And these days remakes and bad sequels are Hollywood's favorite way to cash in. Unfortunately the audience is eating it up instead of demanding better fare.
<<these days remakes and bad sequels are Hollywood's favorite way to cash in. Unfortunately the audience is eating it up instead of demanding better fare.>>
Is that really the case? I feel like every time a particularly bad remade is released, it does really badly with the critics and the audiences. Especially something like "Psycho." It was receieved horribly by both.
"Just close your eyes...but keep your mind wide open."
Alexandre Aja's The Hills Have Eyes (2006) remake is far more intense and much better in many ways than Wes Craven's original (1977). However, the original is still a great film and a classic horror movie without question. The remake is my favorite horror movie, so I'm a tad bias.
Let's see, there's Holiday (1938), The Blob, The Bat, Scarface, Night of the Living Dead (1990), The Nutty Professor, Hell's Kitchen (1939), Last Holiday...can't say there's been a LOT, but once upon a time they did know how to do remakes right.
i think 'Psycho' was indirectly responsible for all this remake of 'classic genre films' malarkey; indirectly because the movie flopped, but once you remake a classic film like 'psycho'--an 'untouchable'--the floodgates are blown wide open.
i agree that the remake of 'lolita' is better than Kubrick's version. it has more depth. Kubrick's film was garbage.
as for other superior remakes:
3:10 To Yuma(2007) The Fly(1986) Nosferatu(70's; Herzog) The Thing(1982)
Remakes have always existed. Psycho didn't do *beep* And it's just a film, no movie should be untouchable. It's not like they destroy the originals copies, like they used to do in the 30s. Making everything sacred is crap.
I don't consider Scarface a remake. They are both gangster movies with the same name, but entirely different. The original is about Al Capone. The better-know Scarface with Al Pacino is about a Cuban immigrant.
I'm generally against remakes, but there are a few that I think turned out well;
The Thing Invasion of the Body Snatchers Cat People The Postman Always Rings Twice (loathe the original) Lolita (I love James Mason, but Kubrick focused way too much on Sellers' character, Quilty).
What's interesting to note is that, except for Lolita, all these remakes were made in the '70's or early '80's; the "New Hollywood" era, when filmmakers knew what they were doing, gave a damn about the medium and weren't driven solely by money.
I think the term "remake"gets a little hazy in the case of movies based on famous novels. Like Lolita, the '62 is a masterpiece in its own right (mostly because of Peter Sellers) whereas the '97 may have been truer to the novel, it's more a reinterpretation of the novel than remake of the earlier movie.
Just like the '97 mini series of The Shining is not so much a remake of the Kubrick film but a version truer to the book (because Stephen King hated Kubrick's version.
Casino Royale is another film that skips past the previous '67 film and mines form the novel as source material.
A few good remakes (although not necessarily better than the originals) Fistful of Dollars Twelve Monkeys Magnificent Seven Scent of a Woman
I think if you take the famous novel factor out the list of remakes that are definitively better than the original the list is very short, just because the original always has a slight edge for doing it first. Like Fistful of Dollars is a great movie... but I really don't think I can say it was better than Yojimbo.