MovieChat Forums > U-571 (2000) Discussion > Gross historical inaccuracies

Gross historical inaccuracies


If a movie took a great American achievement and fictionalized it as a British achievement we (Americans) would be crying bloody murder, and justly so. Even the person who wrote the movie says he retrospectively regrets rewriting history. Hollywood or not, bastardizing the risks and sacrifices that people made in the name of something great that they ended up accomplishing is wrong. Not to mention that this movie wasn't that good anyway.

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Hollywood put the money up and made the changes they wanted. Its not the first time this has happened and will not be the last time. Then again there are plenty of British war films that fictionalized real events.

Its that man again!!

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Just because you put up the money for something doesn't make it OK to rewrite real life history to make you and yours look better. I am black. If I come into a lot of money and want to make a movie about the Alamo, it would not be cool for me to have the movie suggest that black people were the reason that the Alamo was held for so long. Also doesn't matter that this has happened in Hollywood before.

Would love for you to tell me about all the British movies that appropriate American achievements as British achievements.

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British war films don't tend to take credit for major events of other people - the fictionalised accounts tend to be dialogue and sub-plots to add pace and drama.

We would rather something reasonably accurate even if we don't always win at the end than see trip which portrays us and uber-heroes who always win in the end because it assumes we are so culturally insecure that we cannot handle defeat as well as victory in films.

I know this is not true of all Americans of course - but it does seem to be true of large sections of the American film industry (Mel Gibson comes to mind - according to him my country commits war crimes akin to Nazi Germany...burning civilians in churches and having medieval Lords who raped peasant brides despite no historical evidence suggesting we ever did this). Films are of course entertainment but taking such liberties with history rubbishes one of America's best allies and it's cultural and political motherland. I think US film makers should trust domestic audiences more and show more factual events (with all the drama and fun we like in film of course) - America won't collapse if they find out that World War 2 was an Allied effort and that the US part was actually quite small and at the end but economically favoured the US and allowed it to rise while the people who did most of the fighting had to pay the US for the next 50 years (oh yes, you were paid by Britain for decades - look it up).

N.





"You are entitled to your own opinion but not your own facts"

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Perhaps you should look up the biography of Col. Banastre Tarleton and the Green Dragoons, for which they based Col. William Tavington's character on.

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It would be more accurate for a British film if it took credit for everything achieved in the USA as it uses it's language and a lot of it's culture/political/social traditions. USA is really just a European offshoot and a English speaking one at that so who could argue?

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"World War 2 was an Allied effort and that the US part was actually quite small"

The U.S. played a critical role in defeating Germany and is almost singularly responsible for the defeat of Japan. If everyone in the UK is as misinformed as you are, then Brits are at least the equal of Americans for ignorance about World War II.

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The Soviet Union was the biggest player of the second world war, not the USA...which entered late and as such paid with so few lives, equipment and economic effort.

It was an Allied effort...we all played our part, the US included. Why does do some US film makers need to insult their allies by making movies like this?

N.

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Mel Gibson...... What a wanker....I only wish Squatters Law applied to people living in another country like it was another's house, that way he would legally be an American and not an Australian. Most Aussies are embarrassed by association because of his film making and racist ranting. We ( Aussies ) disown him, you Americans can have him.

P.S - U571 was sunk by an Australian bomber serving in Britain.
P.P.S - This movie sucks.

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Yeah, and the Germans put the money up for the bullets that time they executed all the Americans...what a ridiculous thing to say. "Putting the money up" excuses zero - it just aids in finding the locus of responsibility and guilt.

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"Putting the money up" excuses zero"

wildhippychik,

It's understandable that you know little about trying to raise money for a film but you also write like you're unaware that the main objective is for the movie, and in turn, the picture's investors, to make money. This is true whether the financing is done by a studio or individual investors.

Some "pro bono" work is financed but that is the exception and the big budget films are always done primarily for money. The targeted market for a big budget movie made by U.S. film makers is essentially always the American movie goer. Given this situation, it's not surprising that these movies not only give untold weight to the Americans but also make heavy use of poetic license about that participation. This is because, in general, American viewers want to see Americans and giving the movie goer what they want to see is the best way for a film to make money. You're wrongly assuming film makers have a responsibility to be accurate.

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It's Hollywood. No one expect accuracy and if anyone is dumb enough to think of movies as factual, they are beyond redemption. This movie was designed to make money by providing a couple of hours of entertainment. It wasn't designed to inform.

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And how exactly is someone to know whether any given film is just entertainment, or might actually have a basis in history or fact, and intend to inform?

The makers of U-571 did the world a disservice and can offer no excuse. If Mostow had tried this idiocy in From the Earth to the Moon he'd have been used to prop up State Route 210.

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The makers of U-571 did the world a disservice and can offer no excuse. If Mostow had tried this idiocy in From the Earth to the Moon he'd have been used to prop up State Route 210.


Exactly the point of my original post. Not sure why Zuider Zee didn't get that.

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"And how exactly is someone to know whether any given film is just entertainment, or might actually have a basis in history"

They need to do a search for "enigma machine" on the internet. This film never stated or implied it was a true story, did it? Several movies have done that and been complete fiction, "Fargo." While not complete fiction, "Zodiac" begins by stating it's all taken from police files and what follows is a writer's fantasy about the events. I realize that U-571 is different because of historical overtones but Zodiac is concerning open murder cases and there is a chance the killer is still alive.

I'm not trying to minimize U-571's inaccuracies. Indeed this particular film is so egregiously wrong that I wouldn't watch it and if I did, it would make me self-conscious because Americans are credited with something that's well-documented they didn't do.

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I never said that people should expect 100% factual accuracy from a movie (particularly one made in Hollywood, although, I do question the logic and intelligence of taking an historical event and almost completely subverting the facts. If you're gonna do that, you might as well use your creativity and skill to come up with your own original story and then tell it in whatever way you think is the most entertaining and profitable. That is, of course, unless you're not creative or skillful to begin with).

That being said, my issue was that regardless of Hollywood's typical practices regarding factual accuracy, some historical events are important enough that they should be treated with respect, even by Hollywood. Further, if England took an important American historical event and subverted the truth to make it appear that British people rather than American people were primarily responsible for a positive outcome under the guise that they thought it would be more profitable, we would cry bloody murder.

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I don't agree, because "gross" equals 144 and there were probably more than 144 inaccuracies in this bowl of Hollywood pablum.

In some ways, it was even more inaccurate than "Red Tails."

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[deleted]

I have a personal interest in this movie as my grandmother worked in one of the Enigma code cracking huts at Bletchley Park.

This movie basically says that everything she did during WW2 did not happen. It relegates a women who worked her ass off cracking the Enigma code to someone who doesn't even exist.

Screw you Hollywood. Screw you big time.

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This movie basically says that everything she did during WW2 did not happen.


OH BULLSH!T...

This film did no such thing.
The film never,EVER... made itself out to be a true story, or based upon true events. It was and always has been intended as a completely fictional story set within WW2.




I joined the Navy to see the world, only to discover the world is 2/3 water!

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Its not about it being a history lesson, its about it transmitting through the vital cultural mediums of our time the essence of truth that is inherent to honest history, regardless of whether it is a serious factual re-enactment or merely meant as entertainment. Whether we know history well or not, these films prey on misrepresentation and unawareness of true history. If anyone actually understood the real way the vast majority of German U-boat commanders treated the survivors of sunken ships they'd naturally roll their eyes and be annoyed with that stupid scene, but instead we have people who are sensationally responsive to the classic (and incorrect) assumption that Germans in WW2 were savage monsters who did horrible things. Why else would anyone want to see Germans killing innocents in cold blood if not to feed that archetype? Its that scene alone that pushes me into the camp of decrying this film's version of history. I can forgive a lot of untrue history, but thats just offensive.

If this film were about re-writing the basic facts of the Holocaust I seriously doubt anybody would try and say what you're saying, even if it was a good yarn.

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The shooting of the survivors reflects the personal prejudices of the director, Jonathan Mostow, who was angry that "Das Boot" showed the submariners as ordinary sailors and he wanted them to be depicted as "Nazis."

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Which even a cursory understanding of the history of the Ubootswaffe would clearly contradict. They were the least "Nazi" of the arms of the German military and suffered for it being less popular until later when they became the underdog heroes.

There were of course Nazis among them but there wasn't a proliferation of vile behavior like you would find with the SS organizations. U-boat captains had to be ordered to cease offering humanitarian aide to their victims once the Allies showed they had no mercy for them even when they were being as honourable as anyone in that war got.

In many ways U-boatmen were amongst the finest individuals on either side. There was quarter given by German sailors where Allied sailors would be cruel and merciless. To want to depict them as cruel Nazis is a disservice to history. If anyone should be shown killing survivors it should be the Allies, there is much more documentation on Allied killing of U-boat survivors than the reverse.

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Recently watched it with a relative who served in Royal Navy in ww2 and he turned it off after 15 minutes. He pointed out they did not even get their own uniforms correct or how US Submariners "looked" during ww2. Too many pretty boys did not want actually look military.

BTW

There have been a few movies the contradicted US history and most were not shown in the US because distributors did not want to release them due "gross historical inaccurates" If I find the old website that lists all the movies that we refused theater releases in the states for this reason I will post it. It used to be linked off the site televisionwithoutpity--but that site got mothballed last year

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I'd certainly be interested in checking those titles out if you can dig them up.

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It's not about it being a history lesson, it's about it transmitting through the vital cultural mediums of our time the essence of truth that is inherent to honest history, regardless of whether it is a serious factual re-enactment or merely meant as entertainment. Whether we know history well or not, these films prey on misrepresentation and unawareness of true history. If anyone actually understood the real way the vast majority of German U-boat commanders treated the survivors of sunken ships they'd naturally roll their eyes and be annoyed with that stupid scene, but instead we have people who are sensationally responsive to the classic (and incorrect) assumption that Germans in WW2 were savage monsters who did horrible things. Why else would anyone want to see Germans killing innocents in cold blood if not to feed that archetype? Its that scene alone that pushes me into the camp of decrying this film's version of history. I can forgive a lot of untrue history, but that's just offensive.

If this film were about re-writing the basic facts of the Holocaust I seriously doubt anybody would try and say what you're saying, even if it was a good yarn.

This is probably the most sensible post on this board. I was about to quit browsing these tedious threads when amongst all the rabble I find a comment with some refreshing objectivity. Could not have said it better myself.

OCJOC

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None of that fascinating information takes away anything from "U-571." It is an exciting film, crackling w/ action and several solid surprises. Still keeps me engaged and on my seat's edge after all these years.

Actually, it does. It means that rather than being able to pay attention to the excitement, all I can do is remember that it's just actors playing make-believe.

See, here's the thing - you can brush it off as "oh, it's just a movie" because it's not your history that's being appropriated. You have no stake in this, while our own fathers and grandfathers are being shoved aside to make room for a film that is, frankly, quite sub-par.

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[deleted]

There was an episode of Radiolab that talks about an enormous secret facility in Britain that houses the British empires secret archives. The way they describe it, it sounds like the place where the Ark of the covenant is stored at the end of Raiders of the Lost Ark.

What they uncover in the episode is the human rights atrocities that were committed by British troops during the Mau Mau uprising in Kenya during the 1950's. There were details in the uncovered documents about detention camps and torture that occurred during the conflict. It gave grounds for surviving Mau Mau to seek compensation against the crown in recent years. The atrocities of the conflict were not widely known about until recently.

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One of the researchers estimated that 150,000 people were interned in camps, with the British killing 20,000 (possibly more) Kenyans and torturing many more. This was in response to the deaths of Europeans at the hands of the Mau Mau's; yet only about 30 Europeans died during the conflict.

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