Ok firstly, Pi didn't predate Eraserhead. Pi was late 90s, Eraserhead was 76. Secondly, Eraserhead had a "story", it just wasn't a conventional narrative like in most films. Thirdly, I thought there was a resemblence. Ignoring the fact that they were both black and white (which to me doesn't stand as a a resemblence anyway because Eraserhead used far more binary oppositions than Pi, and had a far different style.), they each told the story of one protagonist gradually losing his mind. In Pi, the character of Max was very much isolated from the world he was in - just like Henry. They each had some sense of social acceptence; the relationship between Max and his friend, along with Henry and his girlfriends' affairs, but still they both appear to be missing something. The use of background noise to represent the state of minds of the two characters' has already been mentioned, but even the set, props and locations seem very similar in a dystopian, post-modern sense. Both men have some sort of physical attachment to their female neighbours, and the sustained tension is amplified gradually throughout both films. Although the narratives are very different, and Eraserhead has a far more surreal feel to it, I can see why people would make the distinction between the two. I can see the comparison with Tetsuo too.
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