and directed this movie? I never would have believed them capable of stooping to this kind of predictable and syrupy tripe - and I never thought I'd ever apply the adjective "predictable" to anything with the Coen stamp on it. I have no inkling as to what previous reviewers have in mind when they laud this movie's "stylized comedy." And is it just me, or is George Clooney too svelte for his own good - I know he was playing a bit of a caricature here, but every time I see this guy on screen it's as if he just stepped out of a soap opera.
I must protest. Have you not seen The Hudsucker Proxy? These are movies they seem to do once in a while to really show how surreal, and poignantly funny, Hollywood can portray real America. As far as Clooney goes, I know he's the kind of guy you either love or hate-I have friends of both varieties- so I won't make any comments on that one.
Overall, I'd agree--neither were top-shelf Coen Bros. I think Hudsucker Proxy was even worse than this. The Man Who Wasn't There wasn't great, either. But even at their worst, the Coens films have at least a little bit of reasonably decent material.
I'd have to agree with this statement. I have every single Coen brothers movie, and this one doesn't fit the mold (so to speak) of a Coen film. The cinematography is completely different from all the other films. Coen brother's cinematography, not unlike Tim Burton's, is instantly recognizable. This film lacks the polish of their other movies and is just generally a "bad" movie.
I have a thousand years of power! - Robert McClain
The worst Coen Brothers movie I have seen. While The Coens other films have such a wonderful personal feel, Intolerable Creulty was typical Hollywood garbage, and completely atypical of the Coen quality I have come to expect. The Ladykillers was better, but not near good enough to redeem them. Let's hope the next film has more the feel of Fargo, Barton Fink or The Big Lebowski, or at the very least O Brother Where Art Thou.
I totally agree! I kept waiting for something interesting or exciting to happen, it never did. And it was very predictable. Unlike their other movies, you could give a crap about these characters and what happens to them.
I agree, you expected something to happen but nothing 'interesting' did...i guess that's what made the film watchable. But also you didnt know which character to hate more.
I would say visually and directorially the Ladykillers is a better film, but this is above and beyond it watchable-wise, and that's saying something.
I liked it...A LOT...just not on the first viewing. After seeing parts and pieces on HBO a bunch of times the movie really grew on me. I think just watching Clooney in it is entertaining enough. Yeah the cinematography and style isnt a la Coen but the general absurdity of it all certainly is!
Having said that, when Wheezy Joe shot himself in the mouth and then the camera panned up to see the hole in the window, I thought that was a brilliant camera-shot.
Yea I didn't like it at first either,didn't hate it either.Being it was a Coen Bros. film I bought it the day it came out and was dissapointed.But after watching it again I apreciate it more and more.I mean for a romantic comedy it's almost great,I'd much rather watch this than say RUNAWAY BRIDE or FORCES OF NATURE.It's not like it doesen't resemble the other Coen films at all,ya know?It definatly has some of their elements. I've heard that the film was originally supposed to be the Gere/Roberts follow-up to PRETTY WOMAN, it seemed that the movie was a go and someone payed a good amount of cash for the script,but then something happened,either RB came along and everyone thought that was better or someone decided they were unsatisfied with the script, but it got put away and they made RB instead(same principals to both films really,just switched around quite a bit).So Imagine ended up with it I guess,and since the script was sold for such a good amount of cash, they wanted to get it filmed with or without Gere/Roberts.The story itself certainly has problems so Grazer probably called in the Coens because he is a smart man and thought their tone could benifit the dark material.He made a good move in doing that, along the way in the proccess of re-writing it the Coens probably wanted to challenge themselves by filming something "commercial",themselves. I don't love the movie like I do most of their work but it's ok enough for some laughs.I know it dissapointed Coen fans quite a bit,but it really isn't so bad, it's not like they made something like GIGLI or ALEXANDER, if you see it again it's likely you'll feel the same way,I think.
I would agree with most of this. As a Coen Bros movie it stinks, but as a Hollywood romcom it's not bad. Clooney is great in it as is his friend. And there are plenty of Coen style elements. Wheezy Joe for one. And what about the old partner in his tomb/den? The last half hour has a couple of good plot twists but on the whole, by the Coen standard, the script is a bit clunky. The worst thing is the complete lack of chemistry between Clooney and Zeta-Jones. I mean she's not too bad an actress in it but it seems evident to me she gets off on older men (look at how naturally she flirts with Billy Bob Thornton) and Clooney's acting only becomes forced when he is expected to be passionate towards her. Both me and my wife noted this at the same time so it must be true!
I don't think that anyone is guilty of kidnapping the Coen Brothers. I think that this picture shows their style and humour perfectly. Although this film appears to be "lovey" and "syruppy" there are enough dark, comical moments for this film to be classified as a very different romantic comedy. The Coen brothers are great at taking a genre and putting a different spin on it. For example, some people may see Fargo as a thriller, however it is not just this. It is a comical and truthful insite into characters from northern USA. With Intolerable Cruelty they have taken something not very original-a standard romcom, and made it their own. From the opening scene of this film you can see the Coenesque style leap off the screen. The Coen brothers have not been taken anywhere, they are just trying a genre we have not seen them try before. And good for them- risk is one of the greatest gifts a filmmaker should have.
Get over yourselves. I agree, the film isn't one of their best, but the dialogue is sharp and some of the funniest in recent memory. Clooney's not one of my favorite actors, but I thought his performance was perfect. Maybe you've got to be a lawyer (or in law school) to really appreciate the way the characters speak to each other (or speak while trying not to say anything at all, really). I thought it was a clever play on lawyers; not necessarily the legal profession, or divorce, or anything all that important, really.... Just very clever and entertaining.
I can't remember begin so disappointed. The one thing you could count on in this world was the consistency (relative) of a Coen Brother's movie. Not after this tripe.