MovieChat Forums > Hav Plenty (1998) Discussion > I don't see what all the hype is for.

I don't see what all the hype is for.


I'm sorry, but this movie is in know way shape or fashion a classic. I'll admit it is nice to see more black actors and directors getting out there, but that doesn't mean that just because we're both black I'm going to praise a sub-par film. The actors were pretentious, the situation were so contrived, and it did an excellent job of interpreting black culture, as opposed to revealing it; I'm trying to be sarcastic for those of you who can't tell. That's the problem I have with these type of films, especially the ones made by college educated blacks. Know one sounds like me, acts like me, or can relate to me on a level other than the fact that were black.

The best art is political, & to be made unquestionably and irrevocably beautiful at the same time

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It seems to me when they try to portray Blacks in a upper-middle class mold, most of them do come off as pretentious and arrogant, as if the common folk is lucky enough to be in their presence (this movie, Cosby Show, etc....). No one has really ever captured the true working class Black man, woman, or family. When your a Black character in Hollywood, you have to be either rich, poor, or be a rags-to-riches story. TV programs like Family Matters (pre-Urkel) and Roc does a wonderful of capturing the working class Black family, and I would like to see more of that.

But then again, you don't have to be Black, or White to witness horrible scripts.

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Y'all both make pretty good points. I personally liked it though because of the ridiculous scenarios he manages to find himself in - and oddly enough, it's situations and scenarios we can realistically relate to.

As an aspiring writer/filmmaker myself, I can see the negative aspects of this film - the unfocused plot, no sense of direction - but then again, this is supposed to be inspired by true events and when was the last time your normal day-to-day routine had direction, comprehension, and meaning?

I must give him props because I think he made a really good comedy that anybody and everybody can relate to. Viewers can immediately place themselves in the position of ALL characters, not just him (and the gender barrier doesn't exist). I didn't really see any attempt to "portray blacks" as I have seen in many other films ("The Wood", "The Best Man", "Love & Basketball", etc.) so that arguement, I'm just going to leave alone.

All in all, putting both of your points in consideration, I would give this movie at least a B.

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I really enjoyed this movie. I saw it as part of a black flim festival in my freshman year of college and after seeing it i searched and searched for it to add it to my movie collection. I enjoyed the different situations he found himself in how he keeped getting caught up in all the drama surronding Hav and her family. I often felt the end could have been a little better.--Spoiler-- the fact that it was over a year that he had not seen Hav or spoken to her. After that beautiful letter he wrote her she still didn't try to find him and be with him that kind of made it unrealistic to me in a way. One question when she goes in his room and realizes his password to his computer is her name and she sees the picture of him with his face all busted up did they ever explain that.

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i always thought the laptop scene was a kind of metaphor for his hidden emotions for her. meaning how he puts up a tough front but inside he's kind of a wreck (as we all are) and when she finally discovers the password (to his heart) she gets to see the state he's really in (at least temporarily). hope that makes sense. i just love this film so either way i'm gonna rationalize lol.

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i agree 100% w/ Indastruktable

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you guys act as if there is only one type of black person.....as if we all fit into one catagory.....this film wasn't about working class black people.....and never pretends to be.....it's about a certain type of people in a certain situation......and for the people it seeks to portray it does very well.....it's not meant to be a deep analyzation of of the motivations of an entire race.....it's a light romantic comedy.....the characters that show a upperclass arrogance were meant to be that way.....to accentuate the "realness" of the main character.....

i think the plot is delightfull and held together very well by the main character.....and the thing is extremely well written.....the actors at times show their inexperience....but it just lends to the campy feel of the flick.....

and hav is sexy as hell.....it's not very often that you can see a woman on screen with as many issues as she has and still say to yourself....."damn....i could deal with that"......lol

bottom line.....it's a cult classic.....but if you go to a theatre wanting to see the matrix and you see postcards from the edge......of course you're going to be dissapointed......doesn't mean postcards was a bad film.....just not what you wanted......

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i agree w/ jaye50-1...it's about a certain group in a certain situation.

i didn't think it was trying to be representive of all black people or that it was falsely portraying peeps; i thought that it was simply a story of some young urban professionals who happen to be black & beautiful.

if you spend any time in spots like D.C., NYC, Atlanta, etc. then look around...you will see that people like this really exist. i mean c'mon, the year it was made is 1997, NOT 1897!

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[deleted]

I completely disagree. This is the only American black oriented movie since Spike Lee's heyday with which I identify. Additionally, it is one of the few movies depicting educated upper middle class black characters whose sensibilities are consistent with reality. I can't stand movies wherein black characters who are supposed to be second generation doctors and business executives sound like, and are only concerned with things of interest to, unemployed inner-city playground denizens. It is as if there is an unwritten law that all American black oriented movies have to hinge on hip hop, crime, pimps, hoes... and of course, basketball. I, for one, am glad to see a film that reflects the fact that black people are not a monolith. Stories of the bourgie black upper middle class are as relevant as, and of greater redemptive value than, are the antisocial street tales about 40 year old pimps aspiring to be rappers.

My only critique of this movie is the the tacked-on ending and the inappropriate soundtrack. I greatly suspect that the distributors of the movie are responsible for both. I would love to see this movie in its original pre-Babyface form. As far as I'm concerned this was the black Annie Hall.

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cbm-redux is on point.

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lol, race comes into anything.

everyone does it, all the time, any chance they can get.

doesnt say much for those kind of people, does it.

"You keep on Ownen, and Ima' keep on Ownen, and We'll own together!"
-BROoKERS

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god it happened again.
how come every time a movie made and played by black actors always gets the black audience going on how it depicts the black community?
this writer/director has no relation or ties to spike lee other than that they are both black,but their views are totally different.
spike lee is politically motivated in his films,almost always,this director is just as great just motivated by life itself and how he sees it.
this movie is simply a movie inspired by a true story which includes a great writer and director who tells his story as he chooses to.
it has nothing to do with the black race or how the black community is supposed to relate to it.
it is just a movie meant for anyone and any race...watch it,enjoy it.

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truth

"You keep on Ownen, and Ima' keep on Ownen, and We'll own together!"
-BROoKERS

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[deleted]

cbm, i dont know if ur a woman but i love u. lol. how can these guys be criticizing this small charming film as if it's trying to be bigger than what it is? i mean cant we just love it for what it is? we have enough boyz-nthe hood flicks. why CANT this film be boujie?

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"Stories of the bourgie black upper middle class are as relevant as, and of greater redemptive value than" -- cbm-redux

What redemptive value?

Million Dollar Baby Academy Award® Winner for Best Picture of 2004

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I find the discussion of this movie both interesting and revealing. I love this movie and never get tired of watching it. I don't think White people get this movie. I also don't think most Black people get this movie either. I'm a bourgie Black 2nd and 3rd generation (father and mother respectively.) This is the most authentic and accurate movie of my world that I have ever seen. It is the first movie that I have ever viewed where the characters talk just like me! I found the dialogue totally authentic and accurate. White reviewers complain about how the language would not be appropriate for "polite society." They mean polite White society. I speak 2 or 3 American dialects and this movie uses my native tongue. That's how we talk. One commentator said that you could replace the actors with white actors and it wouldn't make any difference. I disagree. bourgie Blacks use an amalgam of standard English and Black colloquialisms. We have to. It depends on who we are talking too. If we speak standard English around our working-class Black friends, they think we are being "upitty." If we use Black colloquialisms around White people, they might think that we are too ghetto. We have to walk a tightrope between both worlds, never being accepted by either, as many of the previous comments suggest. The "silent Black middle-class" is starting to emerge as a separate entity from working-class Blacks. We have our own values, language and culture. And we are achieving the American dream without selling out. I feel bad that I even had to even have to add "without selling out." I'm tired of Blacks being portrayed as either Ghetto or acting White. This movie portrays a seldom observed segment of the Black community and my hat goes off to the writer, director and star for not selling out our experience.

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I have seen this movie twice and although there were several good things about it, I cannot really recommend it. Mr Cherot is talented and is probably the best thing in this movie, but his talking to the audience works in the beginning , but I felt it bogs things down when he lets it go on too long . I think he should have just allowed himself to continue typing on his laptop w/o addressing the audience.Ms Maxwell, as Hav Savage is all wrong for this movie. I don't know if she has had any prior experience , but she was the one cast member that was totally miscast. Her hair changing in practically every scene made no sense to me, considering it was taking place over 3 days. I've never met any woman who changes her hair that many times in such a short amount of time. The rest of the cast was okay - I wished they had shown Hav's mother instead of just hearing her on the intercom. Considering they show the father and sister Leigh and how they interact, I think showing the mother would have shed some light on how these 2 sisters interracted as they were growing up. Leigh's big speech ( which I liked) to Hav didn't mean anything because they never showed anything to suggest that she held her sister in such high esteem.
There are too big ( at least to me) problems that I have. The scene leading up to Hav and Lee making out shows a montage of them and one scene shows Hav in a scene that happens after they have that kiss. Also the ending of Lee's movie shows Hav talking to her friend who asks Hav if she wants to go out, which makes no sense since Lee was not there to witness it. I know it is a low budget film and this is just a small problem, but I caught it and it it just bothered me. The editing was not very good. Again - it is enjoyable in some parts- I really enjoyed the scene meeting the grandmother, but scenes showing Hav yelling at Lee makes me think- why in the hell is he still driving her around. Also another problem- Is he the only person in that movie who has a car. They show characters coming and going, but Hav has to drive them all. What is up with that - 2 stars out of 4

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[deleted]

or Moviemaker...

Million Dollar Baby Academy Award® Winner for Best Picture of 2004

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I think the real problem with this movie is the poor editing, and Cherot tried to do a little too much by acting in the lead role which probably took away from the directing. There were situations which the emotions the actors evoked weren't in sync with what was intended for the character. But it was real close. The movie just missed enough that the potential for how good it could have been makes it worthwhile. Black people aren't depicted with as much honesty and inegrity as this film attempted even though there are black people like this. That's what makes the movie so charming. There are maybe only five movies like it wheras there are about 5 movies a year like "knocked up" made about white people. But there will be. Just wait for me world.

You're so cool, You're so cool, You're so cool- Alabama Worley

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I saw this movie today on Showtime and thought it was great. It was funny and entertaining. One of the best "independent" films I've seen in a while.

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Like you, I saw (and recorded) the movie on Thanksgiving. I have been talking about this more for awhile; I've been unable to find a copy to add to my video collection. I had forgotten how crazy and funny it was.

As someone had posted, I would appreciate an explanation of the picture of Mr. Plenty, why/how he got hurt and why it was relevant to that scene. I would also like to know why Hav didn't respond to the letter....but I was 27-28 once and understand that she may not have been ready for a permanent relationship with him. She had to get herself together and understand what is truly important in life.

I think this was the Edmonds' first entry into film production, so it was nice to see how far they've/we've come.

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[deleted]

Just because YOU can't relate to this film dosen't make it a bad film--I'm still watching it at the moment--it's a low budget indie flick, and with these kinds of films what you see is what you get. SO what if it was made by college-educated black folks? If you can't relate to it, there's more than enough stupid, tired-ass gangster 'hood films that you can watch. Also,there is MORE than one way to interpret or reveal black culture---we as black people are NOT all the damn same,we did not ALL grow up in inner-city 'hoods (and I am not putting down anyone who has because I live in the inner city myself). I think that remark about college-educated blacks was so stupid---I'm college-educated (still trying to get my degree,though) so what the hell is that supposed to make me---automatically stuck-up and thinking I'm better than those who don't have a degree---which I don't as of yet,plus I know hard it is to have to struggle to get that piece of paper. You obviously don't have a college degree,or you wouldn't be putting down others who do have one. So is that supposed to make YOU better or more real or something? I guess we're just supposed to stay ignorant and stupid like you,huh? (I meant that in a sarcastic way, don't take it personally). Oh,well. The truth is, because of different backgrounds,lifestyles and other things,sometimes all some black people are going to have in common is the fact that they're black---that's just human nature---we're NOT going to always have everything in common simply because we share the same skin color.

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You didn't know this was a film about educated black people before you even popped the disc in? Didn't you see Cherot's outfit?

This film is what it was. It was a little overrated because it was put out by Tracey Edmonds (Babyface's ex wife), who was really trying to promote her film company at the time. This film got major promotion, especially on BET. But I agree, the film didn't live up to it's promotion, as most films don't.

That being said, I still enjoyed it. I found the characters to be authentic. The '90s setting is sad to me, reminds me of a time long gone (that didn't have to be gone...). Better economy...well, maybe not for Plenty, but for the rest of the characters. I don't think you could make this film today without a tragic side story.

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[deleted]

[deleted]

I enjoyed this for what it is - a low budget indie film about members of the bourgie black class I rarely see portrayed in films, with a handsome interesting lead. Most of the characters were a tad snooty, silly and cynical. I know that it's just these particular characters and that the film doesn't mean to represent all of the actual black bourgoisie - although at first I thought so because in other black films centering on lower class blacks, the upper class blacks are made to look judgemental, arrogant and materialistic. I'm sorry Mr. Cherot, or anyone else for that matter, never made another film like this.

~"Chris, am I weird?"
~"Yeah, but so what? Everybody's weird."

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in the hood flix suckk...

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