As to your other points:
1. SNAFU. Somebody decided that, obviously, the lock-down didn't apply to diplomats. After all, what would diplomats be doing with a bomb?
2. Ordinary flight, wasn't it? One of the stopped ones, maybe? Obviously, you can't stop flights in the middle of the Atlantic, they have to land somewhere.
3. Dramatic necessity. The viewpoint character has to do the job, otherwise the film loses focus. In the real world, the job would get done by someone else, so it's not a great sacrifice to realism for Cloony and Kidman to do it. On the other hand, time is short, so if Clooney and Kidman are the guys with the knowledge then they should be at the sharp end so they can get any intel they need without having to spend time briefing and debriefing others.
4. There was a perimeter, but Gavrik (sp?) slipped out before it was established. Rather than show all that, the director just bypassed that entire uninteresting scene.
5. The sniper *beep* up. People do that, sometimes at the most inconvenient times. Often, in fact, that's what makes them *beep* He didn't _want_ his bullet to perforate the little girl. I can sympathise.
6. No, maybe not. They were just told to stop anyone with a backpack and search them. This was way before 9/11, remember, back when the US didn't take this stuff seriously. And they'd already stopped a dozen people before coming to Gavrik without finding anything, so they'd probably lost all enthusiasm for this game.
7. Clooney heard someone sneaking up behind him and reacted to that, as a soldier would. At that point, Gavrik might have had his hand on the deadman switch, whereas he probably wouldn't have when he was just walking down the street. And maybe it's just as difficult for Clooney's character to shoot a man in cold blood as it is for the sniper to shoot a little girl.
reply
share