Those things that did not help the film.
First off, I enjoyed the film. Great? No. Good? Yes. But often in films like this are those few plot necessities that turn down the heat.
Richard Gere as an IRA terrorist? C'mon. Sean Bean could have done the role to the max and been much more credible. Using Gere, who is a fine actor, insured that his part had to be major, bringing me to the next issue.
And that is why must they use the terrorist who has spent 6 years in prison for anything more than identifying the Jackel? Suddenly, none of the highly trained FBI personnel are capable of profiling, abstract thinking, tactical planning, and they must enlist Gere's help with every last issue. A downfall to the plot of using a superstar.
Again a Gere problem. Is nobody carrying binoculars? Instead of spotting for the Army sniper who has probably trained for years on his sniper rifle, it's Gere that must take the shot at the minivan. Only then can he hand the weapon back to the sniper. Then the minivan blows up with the force of a 20 kilo TNT blast.
In the subway. A machine gun blasted away at the first lady. Yet the subway is fully open, no cops buttoning things up. The secret service is nowhere in site, maybe off playing poker and hiring hookers? Gere and Willis all alone for a small eternity for the great stand-off scene. And from nowhere, the ex-girlfriend comes to save the day. Then the Jackel revives to receive one last burst of bullets to punctuate the moment. A critical viewer feels the leg getting pulled a bit more.
The Russian government not going immediately after Tarek for the special ops kill when they know he is in a hotel in Helsinki. Go ahead, pull the other leg a bit. Since when did border issues or legal channels stop Russia from removing national embarrassments with lethal force?
A bit more conservative casting to avoid the false role given to Gere, a little more attention to trying not to pull the audience by the hair and this movie could have gone up a star or two even. Willis was great as an emotionless psychopathic assasin who obviously really enjoy his work. He really seemed a man hatched into the world without a mother. Poitier, solid, class, just, typical Poitier. Using Gere forced the writer and directors hand into making his part uncredible. To bad, the film suffered for that.