Hard Eight, didn't PTA later comment that it sounded like a porn film?
I personally don't have anything against it but I don't think it really means anything other than the fact that it sounds hard-bitten and tough and sparse, a near-affectation which the dialogue seems to pine for most of the movie. But truthfully the movie has more veracity in PTA's creation of mood, in the slightly dilapidated world he depicts, the losers and two-bit gangsters and hookers and low-wattage neon, and especially in Sydney's baggy, beleaguered face.
Sydney really embodies most of the movie. He is everyone: he is John and Clementine, once upon a time, at least, or maybe that never transpired for him...he is Jimmy and the rest of the algae in the Vegas cesspool; in the gloaming of his life you feel he represents both the seediness and the decency existing in the film. He's the master of this place, this hinterland of human debris, so I think calling the film Sydney would have had more sad truth, a blueish melancholy, but less commercial viability, not that the film has much of that anyway.
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