The film—much like 2001: A Space Odyssey, A.I. Artificial Intelligence, Moon, and Ex Machina—envisions the dissolution of humanity with each passing technological evolution. There is a suprahuman element in Gattaca, articulated through the film's fascination with visual perfect. "Visually GATTACA conveys an antiseptic world that has been purged of imperfections... [The sets] show a sterile and blemish-free world filled with smooth stainless steel surfaces" (Kirby 2000, 204). The scene in the gym shows symmetry, balance, and order, leaving no room for creativity or individuality, but more importantly, anything human. The treadmills mimic a manufacturing plant, where mankind is commodified and repurposed for "progress."
When Vincent is shown transforming his body, ridding it of imperfection in order to become more like Jerome and merge with the artificial world, he is symbolically and literally shedding his personhood. In his triumph, he loses his individuality and merges with the same world which he hoped to escape, becoming just another serial number of GATTACA's alleged perfection.
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