Why the disjointed scenes?


At first I thought it was TV problems but then as it persisted I knew it was a Woody Allen film trick.

Why? What did it have to do with the story?

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If you're referring to the jump cuts, lots of filmmakers have used this technique; it doesn't necessarily "have to do with the story."

Goo Goo G'Joob

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Oh, so there called "jump cuts"........OK thanks Evan!

I wonder why there used?

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They're used to demonstrate Harry's fragmented, disjointed take on life. Notice they are used most prominently the night before he drives to the university, when he is taking a bunch of pills and forgets the conversation he has with Bob Balaban's character in which he agrees to go with him after all, and in the scene in which Cookie is smoking weed and Harry inhales a little bit passively then has a flashback.





"Reality is the new fiction they say, truth is truer these days, truth is man-made"

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Oh yes!

Thank you, that is the correct answer!

Does Woody use this technique in any other of his films, if you know?

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No.

It's a film about deconstruction.

Such a leap...not like it's in the title...or anything.

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OK Thanks Ireed7950!

I learned a lot about "jump cuts"!

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Since this movie is about writing and stories within stories inspired by Harry's true life events my guess about the cuts is this: This whole movie is just another book of his, his last, and we watch it while it is being written. The cuts is just rewriting. You know, going back and changing something. You 'll notice that the cuts don't always jump forward but reset scenes and dialogues and let them play again in a "better" or a more helpful to the story way.

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HUSBANDS AND WIVES has this kinda editing at times, too (as well as a really shakey camera, I guess for the "documentary" "look").

I think Woody was just experimenting with editing, nothing too crazy -- all of his films look pretty similiar depending of what "type" of film he's making (you know, he has 4 types of films, basically: the drama, the slapstick comedy, the romantic drama which doesn't always take itself seriously, and the more experimental stuff... which is often filmed in black and white).

But yeah, since the film has DECONSTRUCTING in the title, the use of the weird cutting/editing/pacing could certainly be construed as fragments of the mind/lost memories/scenes deconstructed .. when you view a scene three times from different angles or at different speeds or whatever, it forces you to look at it differently.

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Shuji Terayama forever.

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Thank you for your explanation!

BTW, I was curious about your farewell signature......care to elaborate?

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Hi, glad you appreciated the explanation.

Re: my sig. http://www.ubu.com/film/terayama.html

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Shuji Terayama forever.

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Thanks for the explanation!

Unknown to me but great loyalty on your part!

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