I think a lot of Schrader's directorial output is just as good as Scorsese's. I like that he tends to weave an ambiguous murder mystery into his character studies. American Gigolo and Light Sleeper did it and he turned it on it's ear in Affliction, which I think is a far darker examination of a fractured psyche than Travis Bickle given that Wade Whitehouse turns out to be dead wrong in his efforts to try and validate himself by cleansing his town. And while Bickle does seem able to make genuine, if creepy and tenuous, emotional connections with people - Wade can't even get that far. He's at the end of his life while Bickle might get to see a new beginning.
You just don't see the level of nuance in Scorsese's character work that Schrader gives with almost every film he helms. For my money he completely gets you inside his lead character's heads and gives valid and haunting explanations for the darkness inside them, and in doing so almost redeems them.
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