DIDN'T LIKE IT! HELP ME OUT FANS!
Ok, now I maybe exaggerated a tad bit with the title, but I really do want some input from fans of Sling Blade. I created an account just so I could post something here! (Just so you understand how important it is to me to get an answer)
I'll start from the beginning: many years ago Yahoo! released a top 100 list of movies to see before you die that were released post 1980 (phenomenal list for the most part imho). One of these included Sling Blade. I have since made it my mission to see every film on this list and Sling Blade is among the final 20 on this list that I needed to find. Probably because its a very southern drama, I couldn't find it in my home country of Romania and couldn't find any good copies/deals on German Amazon.
Now that I study film in the United States I finally found a copy of Sling Blade for 5 bucks in a record store, you can probably imagine my excitement, I've been looking for this film for well over 5 years now. Now back in Romania I sit down with my dad and brother and watch Sling Blade. The opening 30 minutes was possibly the most gripping introduction I've seen to a film in years, and the monologues were intense and beautifully rendered by both actors. For the introduction alone, Sling Blade is already in "good" territory.
However, after having seen the rest of the film I'm perplexed. Why is this film on a top 100 films to see before you die list? Surely I can think of 100 other more important post 1980 films. What exactly did Sling Blade accomplish or contribute to the cinematic landscape? Was it more relevant in 1996 due to its depiction of homosexual characters in the south? I felt like this brilliant opening slowly but surely devolved into a rather mundane film with an extremely predictable outcome.
I was hoping to see a film about a man struggling to fit back into society, but then the film took these very weird twists and turns as if Billy Bob Thornton wasn't sure what story he'd like to tell. You had the dinner scene where Karl is introduced to the overweight girl (which was interesting because I'm sure Silver Linings Playbook borrowed a trait or two from this scene), then you have the scene where Frank gives flowers to his girl crush (which was completely out of the blue), then the rather irrelevant baptism scene and the entire plot with Doyle, who I found to be a boring character with no character arc and was just plain annoying for the forced sake of being annoying. These half-assed "love interests" and the "abusive father" plot took away from what was initially a gripping and touching story of a man who's mental growth was stunted and consequently becomes friends with a young boy. Also the girl journalists at the start of the film never play a role in the film again which was quite disappointing because their motivations were a lot more interesting than those of Doyle, Linda and Vaughan.
I'm sure a lot of you are reading this and thinking I'm crazy for finding so many of these scenes irrelevant, but I'd like to know where this film qualifies as an OSCAR WINNING screenplay?! (and don't tell me the Oscars shouldn't inform my judgement over a film, they still are still a capable judge of whats at least good) I feel that the script is too unfocused and doesn't tell a fully fleshed out story. Too much is predictable, the one part I enjoyed was the potential idea that Karl is groomed to kill Doyle and the fact that Linda was not scared of Karl after hearing of his "history", however these are never expanded on enough. I really hoped Karl wouldn't kill Doyle in order to throw a curveball at the audience but even that ends exactly as I anticipated. It feels like an amoral ending to a film that preaches good morals.
Ultimately, what I'm trying to say is I liked the film for its touching scenes between Frank and Karl and its gripping opening, but don't see it as anything groundbreaking. I also don't find it structurally sound and it overstays its welcome (maybe cus I saw the Directors cut?) Apart from Billy Bob's and Lucas Black's ensemble performance and the beautiful soundtrack, nothing struck me as particularly exciting. If you would teach this film in a History of Film class, what would your reasoning be? Why is this film considered a modern classic by countless critics worldwide? I'm fluent in English and understand American culture very well so its not the language barrier that made it not work for me.
Thanks guys! Please don't just throw hate! Film students wanna learn :P