Concerning other great ensemble casts. It is certainly a hard thing to successfully pull off as I'm sure egos come into play, especially as it concerns screen time. I'm sure it's quite difficult to wrangle all the actors and keep them from chewing the scenery to pieces.
Other great or successful Ensemble Films I think would include:
Glenngary Glenn Ross. (One of my favourite films.)
The Long Riders.
The Deer Hunter.
The Dirty Dozen.
The Usual Suspects. (Though it may be argued that many of the actors were unknowns at the time. It depends on what definition of "ensemble cast" one uses. Either a film in which all the main characters are given equal importance to the plot or story, or merely an "all star" cast. The former seems to be correct in the world of film, while the latter sees colloquial usage.)
The Breakfast Club.
The Magnificent Seven.
The Seven Samurai.
Crash. (Though I didn't like the film, I can recognise it as being a well put together, well thought out and very successful film.)
Traffic.(Or just cursorily interconnected stories. But again, an "all star" cast of actors.)
Murder on the Orient Express.
The Thin Red Line.
Once Upon a Time in the West. (Though here it may be argued that the story merely revolved around the three main characters, and were connected by Claudia Cardinal's character and circumstance.)
Pulp Fiction & Reservoir Dogs. (Though these may again just be separate, but interconnected-albeit disjointed- stories of a few main characters. Reservoir Dogs is perhaps a better example.)
The Great Escape.
And finally, the Ocean's # series, though I hate hate hate these films and they bore bore bore me. Really I only saw the first two, so maybe the third film pulls them all together and redeems the first two.... They were just mindless, pandering films that sought audiences by being "star-studded" and by having quick action and "witty" dialogue. But I'm not here to foist my opinions off on anyone, I just could not abide these movies.
I find the Ocean's films silly, pointless and plot-less; instead of a clever twist (which all films seemingly MUST have these days) or a logical denouement, the writers just seem to resort to the deus ex machina style of writing that seems so prevalent in recent years. I can best describe Ocean's 11 as Heat but instead of automatic weapons, a top-notch team of professional thieves, and a great plan (foiled only by Danny Trejo) they use witty dialogue and their boyish good looks to pull off their heists. Ah!! I'm adding Heat to the list of great ensemble films...
Heat.
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