Is either writer a fan of Ayn Rand?
In addition to all the other (many!) interesting and brilliant things about this movie, is it just me, or does anyone else see curious parallels to "The Fountainhead"? Is it too much of a stretch to suggest that Primo is Roark, Pascal Wynand, and Secundo Keating? Sure would be interesting to know whether that was in the writers' minds or not....
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