I think it hammers home Dick's usual "can the synthetic thing be as good as/supercede the real thing?" schtick.
True, it feels a bit tacked on as an afterthought. I haven't read the original story either, but as a means to get the audience thinking "what's wrong with this synthetic woman? She has genuine feelings for him...well, she doesn't want to kill him, that's a start.", it seems pretty good to me.
It ties in with the theme that the Screamers have evolved to the point of human-like affection or individuality. She forsakes her 'species' because of the bond she has (rather quickly, admittedly. Though that can be explained through the innocence, inexperience or naivety of the lifeform anyway) formed with Hendricksson.
I don't think whether it's in the original story or not is relevant. It's a nice flourish regardless. Yes it feels a bit rushed, but I think it works as a reinforcement of the story told within the film.
Certainly her self-sacrifice, and Hendricksson's pointing out how they've advanced to killing each other, speaks volumes about the evolution of the Self.
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