Vette,
Let me first commend you on an articulate comment on the movie--it was a nice change of pace for the IMDB scene.
As you eloquently asserted, the themes with which the movie deals are certainly valid themes--what really matters in life, professional and otherwise? what sort of legacy are we making for ourselves?--and are issues that all but demand exploration, whether in film or in print. However, the validity of those themes doesn't necessarily overcome a film or book's flaws to make it a good movie or book. I, for example, enjoy movies that deal with courage in the face of adversity, and how people deal with the realities of life; as a result, I often enjoy war movies. The fact that Pearl Harbor and Enemy at the Gates touched on those issues, though, does not mean that they explored them well or that they are good movies solely for having dealt with those themes.
As for Mr. Holland's Opus, I felt that the character was too unlikeable for me to empathize with, and that, in general, his interactions with his students (those we got to see) were not particularly convincing as evidence of his role as a great teacher who inspired and enriched the lives of the students entrusted to him. I didn't find the students particularly endearing or memorable (perhaps because we see so little of each class before they move on/graduate), and as a result, was left feeling flat and nonplussed at the end of the movie.
By way of comparison, I felt like Dead Poets Society did a better job of creating a character that I could actually believe was changing the lives of his students, and who I could believe would inspire the sort of admiration that the students showed for him at the end of the film.
Also, I think you're a little unjustified in making judgments about Crewgrrl's age ("young lady") level of understanding (in your last line) and intelligence/depth (your first sentence). It is not clear to me if the questions in your penultimate sentence "How many lives have you touched with your goodness and for how long will you be missed?" are meant to be an implication about the worth of Crewgrrl's existence or not, but if they are I find that sentence to be in bad taste and utterly unjustified. I don't know that you have any evidence to support any of those assertions other than the fact that she disliked a movie that you enjoyed. That you make such irrational and apparently groundless assumptions about Crewgrrl personnally really reduces the credibility of your very well articulated comments on the film itself.
You'll note that I didn't much enjoy Mr. Holland's Opus either. I'm not going to make assertions about or insult your intelligence, age, or usefulness to society, in spite of your example (your "touching lives with goodness" line is especially ironic in that context). If, however, you chose to do so in a later response to me, let me give you a hint or two: I'm not young, I'm not shallow, I don't enjoy axes in foreheads, and I am quite capable of understanding mainstream American cinema.
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