Urotsukidoji/Dr. Strangelove
or How I Learned to Stop Worrying and Love the Overfiend!
I've heard and read the Overfiend films being compared (for better or for worse) to the ending of Akira, the Marquis De Sade, Grand Guignol, etc. I'm sure the fans all know the list. But I always felt this was more along the lines of Dr. Strangelove more than anything else. I don't mean this in the sense that its a remake or homage, but both films explore the same themes. Both films present the Apocalypse as the Ultimate F---. No horsemen, no plagues, no seven seals, just a build up to a worldwide orgasm of destruction that will result from Nagumo and Akemi's explosive intercourse, just as Dr. Strangelove showed the courtship in the form of Cold War of two superpowers, which eventually ends in nuclear catastrophe. Though Overfiend was the inevitable fulfillment of ancient prophecy, Dr. Strangelove was more of a case of slipping on a banana peel.
Both movies also show how mankind (or in Overfiend's case, mankind, man-beasts, and demons) ultimately follows its most primal urges, despite reason, conscience or common sense; the urge to screw, the urge to destroy, the urge to love, the urge to kill. We're all animals when you get right down to it, and I'm not saying that in a negative way. And while we can talk a great game about our motives and reasons behind our actions, it can all be traced back to these desires and urges that are ingrained within our psyches and souls. Granted, both films do take an EXTREMELY GROTESQUE route in showing these aspects of ourselves (I don't think that deep down, we all wish that we could sprout mutant genitalia or let out our sexual frustrations by ordering a nuclear attack on Russia, at least, not all of us), but that's the point. To take these buried feelings and shove them into the viewers' faces, giving them the option of dealing with it or running like hell (either course is completely understandable, its not an easy pill to swallow).
Sex and death goes hand-in-hand with these films at every opportunity as well, even in small, subtle ways. Such as Nagumo and Akemi's first attempt at phyiscal love occurs when his parents are at a funeral or George C. Scott smooth talking his Playmate girlfriend with war metaphors in his apartment ("Ol' Bucky'll be back before you can say BLAST OFF!!!"). The best image that comes to mind that ties these films together was the opening shot of Legend of the Demonwomb: A painting of a WW2 era pin up model in a seductive pose decorating the side of a B-52, which would fit perfectly if it were a shot in Dr. Strangelove.
Sex and death; creation and destruction; good and evil. This, I tell you, brother, you can't have one without the other. Out of great destruction, great creation can occur, and great creation will inevitably end with great destruction, which will lead to more great creation... and the beat goes on...
Or as Ameno puts it at the end of Demonwomb: "If there's an Overfiend, perhaps there's an Evil King... heh-heh, I LIKE THIS!"
Amen, Ameno. Nice shirt, by the way. Oh, and can you introduce me to your sister?
"But, hey, that's me, I could be wrong."