Schindler's List, Hitchcock, and "Psycho"
In his seminal chapter on Psycho in his seminal 1965(original edition) book, "Hitchcock's Films," Robin Wood wrote:
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"Psycho is one of the key works of our age....its themes are of course not new-- obvious forerunners include Macbeth and Conrad's Heart of Darkness...but the intensity and horror of their treatment and the fact that they are grounded in sex belong to the age that has witnessed on the one hand the discoveries of Freudian psychology, and on the other the Nazi concentration camps. I do not think I am being callous in citing the camps in relation to a work of popular entertainment. Hitchcock himself accepted a commission to make a compilation film of captured material about the camps. The project reached the rough cut stage, and was abandoned there, for reasons I have not yet been able to discover; the rough cut now lies, inaccessibly, along with similar quantities of raw material, in the vaults of the Imperial War Museum.
But one cannot contemplate the camps without contemplating two aspects of this horror: the utter helplessness and innocence of the victims, and the fact that human beings, whose potentialities all of us in some measure share, were their tormentors and butchers. We can no longer be under the slightest illusion about human nature, and about the abysses around and within us, and Psycho is founded on, precisely, those twin horrors."
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