I think that the scene you allude to in the American motion picture Encino Man is a pivotal moment in cinema. Stoney is indicative of the existentialist ennui typical of youth of that era; a generation gripped by aimlessness and pre-millennial tension.
Stoney, marvellously played by seminal thespian Pauly Shore, epitomises quixotic qualities of a young man torn between solipsistic exterior exaggerations and his introverted introspections on the price of social popularity and acceptance that comes with Link’s (Brendan Fraser’s) presence.
The scene of Stoney at the Morgan family dinner table is a Dostoevskian affair where our protagonist suffers the indignation of older figures casting desperations, while the bourgeois family collective mock his lowly standing in Encino life. Stoney represents the misunderstood icon of sacred individualism and the privation of anguished liberalism. He is a good man, though, suppressed by conservative oppression and myopic perceptions of Valley thinking.
Stoney is poetically enriching and free in all the ways those around him are not. Hope that helps.
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