how do all the stories connect?
Does anyone know if there is a specific connection between all the taxis?
p.s.
I decided that love is something that should be shared with something alive, so i started doing sheep.
Does anyone know if there is a specific connection between all the taxis?
p.s.
I decided that love is something that should be shared with something alive, so i started doing sheep.
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thanks though i don't think you answered the question but rather retold the story. it's not like i haven't seen the movie.
btw, what's up with the stupid guy who said this movie is boring? what a dumbass
There are no connections to the stories besides the obvious. They all take place in a cab at the same exact moment. I think the overall meaning of Night on Earth is to realize that all stories happen in one place; Earth. The movie begins in a warm L.A. setting showing Beverly Hills and other spoils of a successfull life like a big house, nice luggage, etc. The movie ends in a snowy and cold Helsinki with a feeling of hopelessness and sorrow. The stories, all unconnected happen on one Earth.
shareThey may connect in manner something like the miniseries based on ten commandments by the polish director Krzysztof Kieslowski, I refer here to Dekalog.
This time instead we have 5 stories, all compressed in one single film.
There is morale in each story.
I haven't timed it or anything, I mean I just finished watching the movie some odd minutes ago but I think in every car someone lights a cigarette at the same time, as every other city that is. That was just something I noticed
shareI was thinking of the Dekaloug as I saw this movie, too! Not just the Dekaloug, but Kieslowski in general. There are many Kieslowkian elements to this picture like fate. I also thought the story that the last driver told reminded me of the first dekaloug. I think Jarmusch was very inspired by Kieslowki, it's hard not to be.
I was thinking of the Dekaloug as I saw this movie, too! Not just the Dekaloug, but Kieslowski in general. There are many Kieslowkian elements to this picture like fate. I also thought the story that the last driver told reminded me of the first dekaloug. I think Jarmusch was very inspired by Kieslowki, it's hard not to be.
i'd like to reply to your opinion on the movie, A Night on Earth. I do think you proved an important point about some of the things that take place in the movie but also i think they are related in more ways then just the obvious, that being that they all take place in a cab, at the same time. I think that it also shows that each of the characters, being the taxi drivers and their passengers, have a different set of issues that they are working with themselves, and feel almost comfortable with that. As an example of two of the characters being connected would be the blind woman who gets into the cab with the cab driver from Ivory Coast, and the cab driver in Italy who enjoys strange fetishes; the blind woman, who is completely comfortable with herself and her so-called "disability" which she does not seem to think of it as, and the italian cab driver who finds nothing wrong with his sexual acts with animate and inanimate objects and he shows that by his confidence when he speaks to the "bishop" about it. So i think that all of the characters are linked through many emotional ties as well as the obvious settings in which the movie or movies take place.
shareHere are 3 of the "connections" that I found between the 5 stories:
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1) Almost all of the stories contain a theme related to "blindness":
- Story 1 = The passenger/casting agent admits suffering from "Night Blindness."
- Story 2 = Helmutt (the cabbie) is helpless and unable to find his own way without being led by somebody else (Yo-Yo), much like a blind person
- Story 3 = The driver is considered "blind" by his first passengers (they use a play on words to refer to his nationality as an Ivorian by saying "Y voir rein," which is French for "He sees nothing there"). In addition, at the end, he crashes into another motorists, who also asks "Are you blind?". More obviously, though, the second passenger we see is physically blind. This adds to the irony of this story, since the word "blind" can take on many meanings; it can be interpreted as (1) a physical handicap, (2) a reference to the cabbies inability to drive well, or (3) a term to explain the ignorance of the taxi driver, who is "blind" to the true abilities and limitations of his sightless passenger. This brings up the question, "Who is more 'blind' in the story, and more importantly, who is more handicapped by their 'blindness'?"
- Story 4 = After taking off his dark sunglasses at the request of the "Bishop," the Gino (the cabbie) says, "I feel like a blind man who's miraculously recovered his sight!"
- Story 5 = I couldn't find any obvious or subtle reference to blindness in this one, but I'll keep looking (you never know)...
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2) In each story, a main character makes an invalid assumption that influences the direction of the plot:
- Story 1 = Veronica (the passenger) assumes (and says) that "everybody wants to be a movie star," which prompts her to question Corky's (the cabbie's) motives for choosing to remain a cab driver.
- Story 2 = Yo-Yo (the passenger) continuously assumes that he and his foreign cab driver, Helmutt, couldn't possibly have anything in common. However, as the story unfolds, so do the subtle similarities between the charaters (in spite of their different cultural backgrounds). Initially, Helmutt (the cabbie) points out that they "...have the same hat," to which Yo-Yo replies (and repeats several times), "Naw, mine is different." However, even Rosie Perez's character Angela also makes note of the similarity later in the story.
Secondly, when the characters discuss their names, it becomes evident that while each of their names are "normal" within their own environments ("Helmutt" is an accepted name in Germany, while "Yo-Yo" is acceptable in Brooklyn), each of their names carries an alternate meaning when viewed under the lens of a different culture. Therefore, in spite Yo-Yo's initial assumption, the two characters do share these minor similarities.
- Story 3 = The cabbie assumes several things about his physically blind passenger (i.e. assuming that she cannot enjoy sex, movies, or food; that she cannot detect the ethnicity of others; that she is unaware of her surroundings, etc.), all of which she proves wrong throughout the course of the ride.
- Story 4 = Gino (the cabbie) repeatedly assumes that his passenger is a Catholic Bishop (a fact which the passenger consistently denies). His assumption prompts Gino to confess all of his sordid sins while in the taxi.
- Story 5 = The 2 passengers speaking to Mika (the cabbie) assume that nobody could have possibly experienced as much pain and misfortune in life as their friend Aki (who lost his job, his wife, and his home all in one day). Once the driver tells the tale of losing his only child, the passengers quickly abandon their assumption and nearly forget about their friend's misfortune.
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3) Each of the stories involves one or more character(s) smoking in the taxi (except for Story 2 in New York City, where coincidentally, smoking in taxis has been illegal for years).
okay, but i think that the french actually says "il voit rien," which is a real french sentence, unlike "y voir rien." it means "he sees nothing." they're pronounced the same. i think the people doing the subtitles screwed up.
sharehey
those are pretty much all the connections I could think of. haven't seen the movie in a while but i reckon Angela was smoking before she got picked up if i remember correctly.
i don't reckon there is a reference to blindness in the last one. As you watch it, the world around the taxi is slowly entering morning and the night on earth is over. The end of the night is the end of the blindness. It's like the light at the end of the tunnel. it's kind of what makes it stand out so well.
anyway, take it easy
There is, I think, another connection, although I'll have to watch it again to verify:
Corky has a tattoo in a figure-8 shape on her arm -- visible when she's talking on the phone at the beginning of her story. The same figure-8 shape appears on the gear-stick of the Roman taxi. I couldn't spot it in Helsinki (and wasn't looking for it in New York or Paris).
It's really an interesting hypothesis about blindness.
But I think that there is one more obvious connection. In every piece of the movie Jarmush tries to show that no matter the "surface" differences of the people portrayed in the film they are all very similar. Everywere on Earth.
Blindness in the last cab was the blindness to any other person's problems until those problems are shared.
Aki was still blinded by his own problems because he had slept through the cab driver's story.
I think, there is an obvious "blindness" in the last part of the movie.
Mika (the cab driver) says that he had to hold back his love towards his daughter, because of her little chance to survive. Then one day he realises, that he was blind, so blind, he couldn't see that even if she wouldn't live too long, he has to love her with all his heart. According to the doctor, his daughter still had very little chance, so what changed? Nothing, except that Mika could finally see, that he can't hold his love back no more. With this realisation, his blindness came to an end - and so his daughter's life...
Very nice piece of cinema indeed, but my favorite part is the New York one with Helmut and Yo-yo.
(Sorry for my english - if anything is wrong in the post - it's not my native language)
"I think, therefore I am." (Descartes)
In the last story, Mika is blind drunk.
shareMika didn't seem drunk to me, Aki and the other two seemed much more drunk.
sharedidn't seem drunk? he couldn't walk, he could barely talk, and he fell out of the taxi, i've got a fair bit of experience with *drunk people* and I would say he was drunk
shareReally? The cab driver? Hmm. Guess I need to see the segment again.
shareoh... was that guy mika? oh... my apologies
shareThere is also another (not important) connection
In L.A Victoria says that she can't see in the dark. (dark-blindness)
Then in Paris there is the blind women. And in Rome does the taxi driver say something about his sunglass that it looks like he was blind or something. So between these 3 cities there is some kind of connection with blindness and eyes haha. Not that it matters
You and Whiskers1988 both said that each set of people lit a cigarette,but the ones in Helsinki didnt.I didnt see them smoke anyway.The drunk guy was sleeping,and the other two were listening to the cabbie tell his story.I didnt see anyone smoking in that bit. (I could be 'blind'.lol.)
"I aim for the middle,..."
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