MovieChat Forums > Da hong denglong gaogao gua (1991) Discussion > Red Lanterns Dowsed Black Forever

Red Lanterns Dowsed Black Forever


Songlian is a symbol of China after the Cultural Revolution. Initially, Songlian revels in being able to disregard traditions and customs. She walks to her new sanheyuan, a Chinese courtyard house, instead of waiting for the customary wedding procession to carry her there. The moment she enters, she is confronted by a cultural revolution: a new family with its own customs, rites, and rituals, to which she is expected to adhere. The master burns her father's flute, which burns her connections to her father and her ancestors. Songlian's entrance into the family signals the onset of a competition for power, similar to Chinese Elitists who were competing for capital gain and political power. Songlian becomes tyrannical; her servant Yan'er commits suicide, just like the peasants of the Cultural Revolution committed suicide. Later, the third wife Meishan is murdered in the power struggle.

The sanheyuan is set up like the philosophy of Confucianism: the architectural and structural design of the sanheyuan permits a specific set of social rules to exist, and when these rules are implemented properly, the family will be well-run, and a well-run family contributes to a well-run government. This is a constricting Confucian ideology that Songlian undermines.

Within these set of social rules, women are to protected from outside hardships by staying within the walled boundaries of the sanheyuan, the study of Confucianism must be practiced, and the family must be the prime focus.

In Songlian's household, hardships run amok; all the wives are ruthlessly fighting with each other for the privilege of having their lanterns lit and their feet massaged, which symbolizes their control of the master and household. The wives bravely ignore the cardinal rule of Confucianism: a person knows his or her place in society, and upholding family tradition takes precedence over the individual's needs.

The ensuing Revolution obliterates Confucianism and the patriarchy, allowing female liberation and modernity to flow freely without restriction.

Unfortunately for Songlian, she goes mad.

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[deleted]

Thank you for this interpretation. I absolutely LOVED this movie. I own it.
I didn't understand all the symbolism but the universal theme of the suffering and liberation of women is why I saw and the bought the movie!! Bravo!











"If I HAVE to, I WILL"
my grandma-

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Very interesting! During the film, I found myself wondering how a culture with social traditions developed over millenia would foster a setup where the wives' rivalries jeopardize the family's future. (eg. induced miscarriages, etc.) But your interpretation of the allegory explains it nicely. I guess it would've helped if I were more familiar with Confucianism.

I think the burning of the flute as a symbol of Communism's severing of ancestral connections was especially perceptive. I would add the fact that Songlian was university-educated, but for only one semester. Such education would surely be a novelty among concubines. To me this symbolizes Communism's new paradigm, and it's relative infancy (one semester.)

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[deleted]

While this mental exercise may be intersting, the symbolism you are "seeing" is not really there. This is actually a much more straightforward movie. It's about the oppression of women and the burden of pointless tradition. What are you saying about Confucianism may be true, because Confucianism is the root of social tradition in China, but the whole Cultural Revolution thing is way off.

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Zhang Yimou was a product of the Cultural Revolution and felt very strongly about it. He claims that his movies are more straight forward, but I think it is impossible to be that affected by an event and not have it show up in your works.

Dr. Cox: The point is... Newbie is my drunk baby.

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The symbolism is not inaccurate, all of the director's films use the same cultural and historical symbolism and references and he himself states this in interviews.

The Cultural Revolution is a motif that fashioned and molded his perceptions of Chinese history and culture and politics and streams through his artistic output.

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