someone wrote "Roger Ebert" just doesn't get Tom Stoppard's humor".
I can assure that person, the late Roger Ebert was more familiar with Tom Stoppard's writing style and signature sense of humor than we are by virtue of his long and productive career. His focus was constantly consumed with All that encompasses Theater from Stage,to Cinema, to Scriptwriting, to TV, to Production, to Acting. Nothing escaped his attention. He was a familiar face at many International Film festivals.
Having said that, I understand WHY he did not appreciate the FiILM version in COMPARISON to the STAGE version. I also have seen the stage version as well. There ARE some types of performance that translate BETTER in person, (such as Dance or a musical concert). A comedian will STILL be funny on TV, but probably seem better LIVE.
That is the exact same experience I felt with Rosencrantz & Gildenstern . . . There is an intimacy that is lost in film as well as a comedic timing that I've rarely seen in film - other than with Richard Pryor & Gene Wilder. Comedic timing is easier to synchronize on stage; it's like choreographing a dance. The problem with film is the expansiveness of cameras, crew, background, etc. and it's like trying to create that intimate, magic moment on the freeway.
However, I too, thought Roger Ebert was WAY TOO severe! I thoroughly enjoyed the film; I'm just saying that the script & comic dialogue lends itself 'better' to the live stage -that's all - Roger Ebert could be very pedestrian in his criticisms, but he missed the boat rarely. This was just one of those times. Rest his soul!?
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