'I'm a flibbertijibbit.... '


This is definitely my favorite Meg Ryan performance ever. Especially as the red-headed sister, but she's excellent throughout the entire film. I love her poem, and the all the dialogue at the airport, breakfast, etc. Probably the best Meg Ryan/Tom Hanks movie, definitely my favortite.

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I have no response to that!

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lmao! My brother says that to me all the time. Then he does a spot on impression of Meg Ryan saying, "I'm Patricia Granamore." It's efing hillarious!

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What the hell is a flibbertijibbit????

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have you seen the movie?

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flibbertigibbet
n. a chattering or flighty, light-headed person.
n. A silly, scatterbrained, or garrulous person.
1549, "chattering gossip, flighty woman," probably a nonsense word meant to sound like fast talking.

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I'll let her flibber my gibbet!

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People who are bipolar are sometimes referred to as being "flibbertygibbits".... or however u spell it.

*edit: yes, i am fairly certain that's what they meant by flibbertygibbit. She seems bipolar to me.

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I watched the movie again last night, and it was the first time I noticed that all three of Meg Ryan's characters have their own version of "I have no response to that" (which would seem to be the standard response of "soul-sick" people when the topic of their own mortality comes up).

Dede's version is to withdraw in fear once Joe explains his condition to her. "I'm sorry, Joe, I just can't handle it" is how she puts it (or something close to that).

Patricia's version is to go temporarily slackjawed and silent (she has no response to having heard Joe tell her about his condition), and then to excuse herself and withdraw to the relative safety of her cabin and bed. Of course, to her credit, it turns out not to be a showstopper for her, and she joins Joe in the volcano leap-of-faith at the end.

The idea of facing one's mortality seems to be the central idea of the movie. Dr. Ellison reminds Joe that in his previous work as a fireman, he had faced death before, but it seems to be that having to do that is what drove Joe away from being a fireman; at that point in his life, he couldn't face it, so he eventually ended up working at the soul-killing rectal probe factory instead. Evidently, he hasn't really faced up to accepting his mortality, so now, with his "brain cloud", he gets another chance.

And Patricia actually tells us what the "brain cloud" consists of: "My father says that almost the whole world is asleep. Everybody you know. Everybody you see. Everybody you talk to. He says that only a few people are awake and they live in a state of constant total amazement." It's the amazed few who don't have a "brain cloud". Everybody else has one.

So is the message of the movie that we must either stare death in the face and accept our mortality, or risk losing our soul by avoiding the question? When you think about it, this movie is just filled with death. There are all of the living zombies working at the rectal probe factory (as Joe puts it, "These lights give me a headache; if they don't give you a headache, you must be dead, so let's arrange the funeral!"), all of the crew of Patricia's boat go down with the ship in the typhoon so far as we know, and all of the Waponis go down with the island at the end as well.

Now maybe I'm taking this too far, but the inability to face his mortality would seem to be Captain Kirk's problem in "The Wrath of Khan". Mention is made of Kirk's "legendary" solution to the Kobayashi Maru scenario, but it really just consists of his finding a way to avoid facing his mortality; he doesn't believe in the no-win scenario, facing death is just not an option for him. That was the point of the original series, of course: every week, we tuned in to see how James Kirk was going to cheat death again. It takes the death of Spock in "TWoK" to finally bring him all the way to accepting that you can't cheat death forever (even though he still manages to pull it off on a regular basis until "Generations" finally kills him off).

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I also found the red-haired incarnation of Meg Ryan by far the most interesting and attractive of the girls. The blonde version seemed a bit plain and predictable by comparison (and I'm saying that as someone who generally favours blondes). But the red-haired girl had the most complex personality, and I thought her scenes with Joe were the most tender and meaningful.

I rather hoped the movie would have continued with her.

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no, no...it HAD to be Patricia for the bulk/meat of the movie...Joe could have NEVER found happiness and meaning to life with Angelica...

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Would you like to hear one of my poems?

Long ago, the delicate tangles of his hair... covered the emptiness of my hand... Would you like to hear it again?



Brilliant!



I have a gift for enraging people, but if I ever bore you, it'll be with a knife. - LB

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lol....my daughter can do those lines to perfection!

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I always laugh at Joe's reaction when she asks if he wants to hear it again.
He couldn't tell if she was finished telling it the first time.

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[deleted]

A flibbertijibbit! A will-o-the-wisp! A clown!

The cat is alive! I'm alive!

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