Pacino is the issue here


Did anyone get the feeling that Pacino had trouble capturing the essence of his performance from the first two films? In I and II, Michael had a sort of steely, remote nature. There was hardly any emotion at all coming from him. Even his body language was subdued and scarce. Pacino could pull that off then, but by the 90s, Pacino had moved into his loud and boisterous phase. He simply wasn't the same actor. You could tell that he was having trouble keeping it subdued in part III the way he did in the previous movies.

His body language is totally different in this movie. His dialogue is different (cursing, jokes, smiling, laughing, screaming, impassioned monologues). The effect is less Michael Corleone and more Pacino. I get that it's supposed to be an older Michael, perhaps worn out and more embattled with his own demons. It's still way too much of a difference in my mind. He doesn't feel anything like the Michael from the first two films.

Even more than Sophia's terrible acting, it's this thing about part III that really sets this movie apart from the first two.

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Psychologically, he's not the same man.

Not only because of the sheer passage of time, but the very final scene of the previous film (Part II) showed him with everything dying around him. He's alone, and all his efforts have failed.

The third film starts at that point. In many ways, his horizons have shrunk, and he's afraid to try anything in the vein of who he once was, because he doesn't trust the outcome and he doesn't trust himself to be able to manage it. Why would he, when everything else has failed? He's closed down everything from that former life -- the casinos, the hotels, the gambling, the prostitution -- and put his efforts into legitimate business. And succeeded ... for a time. Until he discovers that the same kind of opportunists, murderers and liars riddle the banks and the church as well. And then he really discovers how powerless he is.

I think Pacino does fine, charting a course through that, and I personally have no trouble believing he's the outcome of the same man we saw in the first two films.

The problem for me is the script. It's dreadfully wooden at times, so obvious, colourless and without the invention or verve of the first two. It's not hard to tell that Coppola's heart wasn't in it.



You might very well think that. I couldn't possibly comment.

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Psychologically, he's not the same man.

Not only because of the sheer passage of time, but the very final scene of the previous film (Part II) showed him with everything dying around him. He's alone, and all his efforts have failed


While this is easy to argue, I feel like the audience deserves more continuity. Yes, a person can change a lot in two decades, but the audience should still see Michael up on the big screen, not Pacino.

Ever since I first saw this film, I saw Tony Montana and Big Boy Patrice, but not Michael Corleone.

In contrast, and to this day I cannot say why this is true for me, I DID see Connie Corleone in this movie. Maybe Talia Shire was just "playing herself" across all three movies, but there did seem to be some consistency there.

Or maybe it was just so much fun seeing hapless, hysterical Connie become a sinister mafia capo in her own right.

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I couldn't agree more with everything the OP said. The film does have other issues though.


You want something corny? You got it!

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[deleted]

Not only Pacino, but the movie itself, it didn't feel like a Godfather movie. It was a weak movie. In the first part we are introduced to the family and it's ways of running things. In the second part we see Michael in charge of things, in a very interesting plot. And how he compares with his father as the Patriarch. Then we have the third part, which depicts an aging Michael, who at times seems to have become someone else entirely, and the uninteresting plot doesn't help at all.

The first two set the bar too high and the third one didn't meet the lowest expectations.

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[Did anyone get the feeling that Pacino had trouble capturing the essence of his performance from the first two films?]

Yes.

Somewhere in those 16 years between 1974 and 1990, he became Old Al. It’s like there are two Pacinos: the young, mesmerizing handsome one, and ... the other. Watching all three movies in succession, as I just did, made for a contrast so stark it gave me whiplash. I would have given him lead actor statues for the first two, but I don’t care for his work in this where he just plays some tired caricature of Michael.

Andy Garcia saved this movie. He’s fantastic playing a sensitive, furious little late-70’s Sonny. I agree that his is a much more interesting character than the fading Michael. A well-earned nomination.

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I totally Agree, Pacino was out to lunch and ruined the whole film.

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At this point, he had started playing the character he been playing for 25+ years

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Yeah Michael was much more intimidating in 1 & 2. Quiet and sure. Like his father.

In 3 he was more like Sonny.

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