political subtext? (minor spoilers re: symbolism of film's climax)
i recently rewatched this film, and enjoyed it quite a bit more than i did when i was 13/14 and really getting into wes craven's work. back then i thought it was a piece of garbage; now it seems somewhat interesting. but i don't see anything on this board about what the movie was perhaps speaking to politically in haiti. i have not read wade davis's book, so i'm not privy to any themes he may have been exploring along these lines. i don't know enough about haiti in the 70s/80s to view this from an informed place - is the tonton macoute guy with the gold tooth supposed to represent jean-claude duvalier's administration? the souls of the haitian people being stolen and all that...not being able to truly blossom in their own right due to the oppressive regime? i really didn't start thinking this until the climax of the film, which intercuts the souls being set free with the duvaliers leaving the country.
if anyone has the background to provide more insight into this, i'd love to hear it. i really doubt i have the time/patience to do all the reading necessary to gain a sufficient understanding of the 70s/80s haitian situation and how this film might relate to it. it's entirely possible i'm trying to read to much into it, and that it's just a traditional/voodoo ("anti-romero"?) zombie film and not much else.