I read that there were two different versions of this film and one was more critical of the death penalty. I read that this was the original version, and then William Friedkin, the director, released a shorter version that was more pro-death penalty. The version I saw seemed pretty much pro-death penalty. It ends with the killer being sentenced to a mental institution, the prosecutor returning to his office, and then the murderer narrating a letter to the father of one of the victims. Then a message appears saying the murderer would be up for parole in a few months.
I read that in a different version, the prosecutor resigns at the end.
My question: what were the differences in the two versions? It sounds like in one version, the prosecutor resigns at the end of the film, and in the other version, he doesn't. There's probably other differences too. Any info would be appreciated. Thanks!
The version i saw had Charles Reece put in a mental prison, but! Later his lawyer and the Doctors open his cell to talk to him and discover him dead of an overdose.
It ends with the Father and son (whose wife/mother was butchered by Reece) leaving a busy Fairground Park at night, the father loving and comforting his young son in the only way anyone would after such a traumatic event. With words of reassurance and hope for their futures. Something like that.
Its a very poignant and very moving end to the film. Thats the version i saw.
Hello Cal actually this version is the one I had been watching since 1989 and it was not until now that the edited version was shown on TV. Very distorted and far away from the original. It has happened with "Taxi driver",too. There has apparently been an alternative version,heavily censored and even having alternative dialogue in one particular scene. I was wondering if you have seen the Polish DVD of "Rampage" so you can inform me which version is it.
In the original version, Biehn's character, after viewing the results of the PET scan with the killer's attorney, states "I've convicted an innocent man", or words to that effect, according to the shooting script and the scene in the original novel. Then the killer's found dead in his cell of an overdose of his prescription meds, having left a note indicating his intent to kill himself:
{From the shooting script}
"Before Charles takes his medicine he will make his peace with God. He's sorry for what he's done... Very sorry... but Charles was put here as a disciple of Jesus, to carry out his will on earth... and he needed blood to do his work."
And then Biehn speaks with the killer's mom, who admits she's cried for the victims and had actually kicked her son out of the house just before he began his killing spree and wouldn't let him come home for Christmas, since she was worried what he'd do to her new puppy. She also isn't sure if she's been crying more for her son or his victims, and says she keeps "askin' the Lord, what was the purpose?".
Biehn then expresses regret over having secured a guilty verdict for the killer and says he'll have to live with it for the rest of his days. He makes this statement to a friend as his trial victory is being toasted by associates at a post-trial celebration being thrown in Biehn's honor. Biehn is saying, unequivocally, "I was wrong to want this insane man put to death".
In the 1992 version, Biehn's character says nothing when he sees the results of the PET scan. He seems more disappointed than anything else and ends the story a defeated man. The killer's life has been spared and Biehn has nothing to feel regret over.
The latter cut's a downer, and infuriating on some levels, but it seems to me to clearly be the work of a director attempting to influence his audience by negative example (i.e., See what happens when a killer like this skates away from the death penalty? He'll be out and back on the streets sooner than you think...and then what?).
The original ending was far more settled in its morality-- Death penalty = Bad, resulting in a truly insane person taking his own life when the system was about to set him free. The anti-death penalty crowd has its martyr, while the pro-death penalty crowd can reassure themselves that justice was served, albeit served to the killer by his own confused hand.
The later ending doesn't offer the same pat answers to the audience, doesn't necessarily tell them what to think (well, not in such an on-the-nose manner, anyway, unlike the first cut of the film).
My main gripe with the '92 cut is that it feels cut short. Going by what's contained in Friedkin's shooting script, the original 'Killer kills self' ending had more scenes that wound the story down at a more natural pace. The '92 version, edited around all those scenes, which no longer apply since the killer's alive at the end of this version...just sort of ends once the lawyers see the results of the PET scan.
I'd love to see a Special Edition DVD featuring both cuts of the film, plus an interview with Friedkin and the other principals involved. I don't feel the movie's perfect, by any means, but it's fascinating, nonetheless. Given the movie's lack of audience response over the years, though, I'm not getting my hopes too high for any such release in the near future.
Reese takes the PET scan thinking of his mom lying to him when he was little, telling him she doesn't want his dad to see him for Christmas when in fact his dad was dead.
Biehn looks at the PET scan's results and admits only to himself that he was wrong in chasing the death penalty for Reese. Biehn blames the DA and the intensity of the crime scenes for causing this behaviour.
This is followed by the scene in which Reese's lawyer finds Reese dead in his cell. The guard tells the lawyer that Reese's mom visited him and was alone with him for an hour, insinuating it was her who gave him the pills he overdosed with. The lawyer questions why a man who butchered people to survive would kill himself.
The final scene is the one with the father and son (family of the victims) at the luna park.
cheapthriller, thanks a bunch for that thorough comparison of the two versions.
Today I saw the version from '92, which is currently playing on Netflix Instant. It has the ending where Charles is sentenced to the mental institution and writes the disturbing letter to the husband/father of those two victims.
I particularly agree with you about this point:
The latter cut's a downer, and infuriating on some levels, but it seems to me to clearly be the work of a director attempting to influence his audience by negative example (i.e., See what happens when a killer like this skates away from the death penalty? He'll be out and back on the streets sooner than you think...and then what?).
The original ending was far more settled in its morality-- Death penalty = Bad, resulting in a truly insane person taking his own life when the system was about to set him free. The anti-death penalty crowd has its martyr, while the pro-death penalty crowd can reassure themselves that justice was served, albeit served to the killer by his own confused hand.
The later ending doesn't offer the same pat answers to the audience, doesn't necessarily tell them what to think (well, not in such an on-the-nose manner, anyway, unlike the first cut of the film).
This is what I like about the latter cut's ending, too. I'm anti-capital punishment, but I much prefer an ending that leaves Charles' fate open to our judgement rather than an ending that solves the problem for us. Even though Friedkin himself would have argued that this film is pro-capital punishment, what I do sort of like about the movie is that it's not as black & white as it seems.
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OK I just sat down and watched both versions in a row. The first one was released in 1987 and the edited one in 1991. Although the 1991 version is 5 1/2 minutes shorter, there are some extras in it. First the opening: In the 87 version Charles Reece is walking down the street and pretty quickly kills his first victims. In the 91 version he is shown purchasing the murder weapon. The opening credits are presented instantly in 87 but after Reece is shown in the 91 version and lengthened showing the town and date. Scenes are longer in the 87 version like when waiting for the elevator he watches the District Attorney name being changed on the board but that's not in the 91 version. The flashback remembering his daughter is longer in 87 as well. Also scenes are cut from the 87 version like the interactions between Tony & his wife showing there problems like her opinion against the death penalty & trying to schedule the weekends away. The 87 escape is longer as well. There's more interaction before the handcuffs are unlocked. During the court scene, in the 87 version Charles is shown flirting with the court reporter but that is cut out of 91. In the 3 minute silence, in 87 gruesome flashbacks are shown as well as the victims family but in the 91 version only people and items inside the courtroom are shown. Finally the endings which are way different. In 87, Charles commits suicide. Tony reflects back that maybe it shouldn't be the death penalty. There is also a statement from Tony's wife. They question why someone killing for blood to stay alive would commit suicide. It ends with the victims family at the amusement park. In 91, when the cell is approached, Charles isn't shown so he is presumed alive. Then there is a statement heard that the jury change and sentence him to a mental institution. Then they show the amusement park but with no statements from Tony or his wife. Then they end by showing Charles writing an apology letter to the victims family asking for forgiveness and a meeting. And he ends up alive at the end. Then there are words on the screen like he is in a mental institution and his next evaluation when he is eligible for release is in 6 months. I think that's pretty much correct and it but it's so hard as so many scenes were changed just slightly.
I remember Friedkin talking about the different versions in some interviews he gave a few years ago, promoting The Hunted.
He explained that his personnal views regarding death penalty had changed between the initial release and the recut, hence the complete ideological transformation of the movie.
IMHO it was all downhill for Friedkin after the recut, though his films are never "uninteresting".
If you don't mind me asking, where on earth did you find a 1987 copy? The only one I could find was on Ebay - a Region 2 DVD from Poland. Is there a place to buy (Region 1 DVD, or VHS) or stream the '87 version? I live in Stockton, CA! Thanks!!