The time in DW3 when Kersey throws a right cross and lays out Tulio definitely reveals that Tony Britts has been trained in classical stage combat. And then when you add in the syncopated beeps that accentuate Captain Shriker's blinking headlights, and Fraker's little shuffle step on the way into his hideout to hand out a sticker hit. The whole film had a lot of moments that could have just as easily been choreographed by Bob Fosse, and of all of the films in the series, DW3 is the most likely candidate for adaptation into a Broadway show....or perhaps an off-Broadway show in a more fitting locale (Sutter and Belmont comes to mind).
DW4's opening is a metaphor into Kersey's own psyche. He's perpetually unlucky in love, as we see throughout the series, and we learn that he's not thwarting a violent rape, but sabotaging the consummation of his own intimate needs, and ultimately destroying himself.
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