Gay only makes sense here...
I am having a hard time 'getting' Brooks' character in this film. I don't understand the descisions his character makes. Unless he were gay.
I serioulsy thought through the entire film till the end that he was gay. And that made sense. It made sense that he would have an attraction/great chemistry with his female producer and never make a move. It would make sense that she would cry whenever she came face to face with the doomed love she obvioulsy had for him. It would make sense that he would profess his love but still do nothing, and she would understand the boundries of their friendship. It would make sense that he would drunkedly kiss her and joke' "I think I definately felt something" without upsetting thoer friendship. It would make sense that he would continually feel slighted and underappreciated by early 80's management if he were openly gay. It would make sense that the executive producer would come to him with an important story about gay rights (yes this happens in the film). It would also make sense that he has a huge crush on the national news anchorman, cares so much about his story making him smile.
Yeah and it would also make sense as Brooks acts pretty gay, too. It is almost like it was written in the script, Brooks had made the choice, run the risk to play the part that way, and at the last minute the filmmakers shrivelled and added a family for him at the end and cut as much gay as they could. This film would have been 1000% better if they had just gone with the risky choice. It would have paid off, as this film may have entered the cannon, instead of being swept under the rug for its datedness and inconsequence.
They really missed(or sunk?) the boat on that one, in my opinion.
They're so flamboyant and melodramatic, it just makes me want to set myself on fire.