Some photographs from real life of Lady Jane
http://i10.photobucket.com/albums/a118/IJH/lady_jane_01.jpg
Jane's home, Bradgate Hall in Liecestershire, also the setting
for the romantic real life meeting of Edward IV, England's handsomest
king, and Elizabeth Woodville, the most beautiful Queen until Alexandra
400 years later.
http://i10.photobucket.com/albums/a118/IJH/25755_1.jpg
A book owned by Jane; that is her handwriting at the bottom.
http://i10.photobucket.com/albums/a118/IJH/Bradgate_cover.jpg
A recent book about Bradgate
http://i10.photobucket.com/albums/a118/IJH/Newtownchurch3.jpg
The east window of Newtown Lindford church, which depicts Jane.
http://i10.photobucket.com/albums/a118/IJH/d.jpg
A beautiful scene from the film.
http://i10.photobucket.com/albums/a118/IJH/ovaljane.jpg
Victorian painting of Jane and Doctor Feckenham that inspired the
next to last scene in Nunn's film.
Historically inaccurate but highly entertaining. The real Jane
Grey had so little joy in her short (16 years) miserable existence
in a way I'm grateful that director Trevor Nunn vouchsafed her a
little bit here,- almost correcting the thoughtless omissions of
history.
But even I grabbed my head in one scene when Queen Mary's confessor
Doctor Feckenham is offering Jane spiritual consolation on the eve of
her execution and she disagrees with him about Transubstantiation
(whether the communion wine and bread literally become Christ's body)
and he backs down and says,"You are right, my lady, and the Queen is
wrong." Highly unlikely that a leading Roman Catholic Theologian and
scholar of the mid-16th century would ever utter this phrase! But
the thought that her martyrdom might have the power to persuade such
a man to re-think dearly held tenets of a lifetime would have been
extremely comforting to a rabid protestant reformer like Jane, who
believed she was dying to uphold her faith. And the real Doctor Feckenham
was indeed renowned for his many kindnessness (boys who had attended
his school would in their old age burst into tears of grateful
remembrance at the mention of his name) so the film is probably
faithful to the spirit of their solemn meeting. Just stick your
fingers in your ears and hum when Feckenham is saying,"Communion is
a lot of hooey!" LOL
It's very sweet when he promises to "be with her until the end" and
she bursts into tears like the child she still is. Kindness is the
only weapon she has not the resources to withstand.
When the film is historically authentic, it's quite unbearable.
It depicts the blindfolded Jane kneeling on the scaffold, having
misjudged the distance to the block, and groping blindly while
entreating onlookers,"Where is it? Where is it?" They visibly respond
to her plight but are too frozen with horror and pity to move. That is
exactly what happened when Jane died. (The judge who condemned her died
insane.) Again it is Feckenham (Sir Michael Holdern) who steps
forward, clasps her shoulders, and guides her to the block. She had
been close to hyperventilating from tension, but at the sure touch of
his hands the tautness visibly drained from her body. Artistically
the film desperately needed a redemptive grace note here, and Nunn
provided it.
Oddly enough there was also a tradition in sentimental Victorian art
which gloried in historical themes of singling out this moment:
http://i10.photobucket.com/albums/a118/IJH/ovaljane.jpg
http://i10.photobucket.com/albums/a118/IJH/lady_jane_01.jpg
Jane's home, Bradgate Hall in Liecestershire, also the setting
for the romantic real life meeting of Edward IV, England's handsomest
king, and Elizabeth Woodville, the most beautiful Queen until Alexandra
400 years later.
http://i10.photobucket.com/albums/a118/IJH/Bradgate_cover.jpg
A recent book about Bradgate
http://i10.photobucket.com/albums/a118/IJH/Newtownchurch3.jpg
The east window of Newtown Lindford church, which depicts Jane.
http://i10.photobucket.com/albums/a118/IJH/d.jpg
A beautiful scene from the film.