Film Class


A professor friend and I are in half joking, half not, discussions about using this film as the source material for an overall look at filmmaking. Because we both realized that in the opening ten minutes there's enough stupid mistakes on every level of the process that you can use this film as a wonderful teaching tool. If you study up to the end of the grocery store sequence, the writing, directing, acting, set design, wardrobe, editing, etc. and do the exact opposite with your film, you have a shot at doing things right.

reply

[deleted]

You clearly aren't serious. So, I'm not taking the bait but nice try, Sir. Have a good night. :)

reply

[deleted]

I apologize. There tend to be people who come on here just to get a rise out of folks. If you feel strongly about this, I disagree but respect your opinion.

reply

[deleted]

I actually took the the Missing in action films into account when I said Cobra was the worst. However, I believe "Hard Target" was actually in the the 90's and less a film than a Hollywood paycheck for John Woo.

That said, you are very polite and a gentlemen. Thank you for being cool.

reply

[deleted]

I can't help but agree with each of you.

On one hand, I don't think there's any denying that Cobra is practically the Frankenstein's monster of 80s films. It recycles every action cliché of the period (and seems to invent a few of its own on the fly), is directed by the redoubtable Sylvest- uh...George P. Costmatos, and, not for nothing, is also a Cannon film.

It's thunderously stupid on every level. Every laugh it gets -- and I know it certainly makes me laugh like an idiot -- is unintentional with one exception ("I don't shop here") and there's only the slightest lip-service paid to logic, plausibility, or plot, period.

And yet. Whenever it's on, I can't help but watch it. Its truncated 86 minute running time simply flies by; to this day, I can remember watching a VHS rental as a seven-year-old and thinking, "It's over already?" (Incidentally, I'd love to see the original cut. No doubt more violence, more montages, more "subtle character moments" involving drowning french fries and an unhelpful Andrew Robinson.)

One of my favourite bits: Some obnoxious caricature of a left-wing journalist gets in Cobretti's face about excessive force after he's single-handedly taken down a psycho killer in a hostage situation. You can just feel Stallone seething. They just don't understand that he's the last line of defense against these crazies and their synchronized clinking ax dance troupe! 

reply

[deleted]

If you want a truly terrible movie to use as a bad example, try viewing Terror In Beverly Hills, starring Frank Stallone. It makes Cobra look like Citizen Kane by comparison.

reply

[deleted]