Nice score, but...
I enjoyed the score a lot because it brought back all the sounds of the 80s. However, it's clearly derivative of the Beverly Hills cop soundtrack from the previous year.
The composer of that score, Harold Faltermeyer, was busy doing the soundtrack for Fletch, which came out just a few weeks after this Burt Reynolds film. But Barry deVorzon did a pretty good job of imitating the style.
You just have to love those analog synth bass lines.