MovieChat Forums > Legend (1986) Discussion > It´s all about the music! Tangerine vs. ...

It´s all about the music! Tangerine vs. Goldsmith.


For the record, according to the production, Legend had two cuts because the movie had rights in more than one producer. And the screening had not been very successful, making R. Scott cut the film and put another score in Berlin to the US. version.
Both cuts of Legend, making almost 2 entirely different movies, had their faults and their highs. The music is probably what made the most controversial discussions about the fans of the movie. It´s a personal thing. Some people, or I believe most people, prefer the Goldsmith classical score. Some not. I´m one of those who thinks that Tangerine Dream added more to the touch of Legend´s wonder. It´s very hard to put in words but it worth a try.
Legend is a hybrid movie. The setting, scenarios and the whole world in Legend looks and feels totally hermetic. I mean, for example Lord of the Rings takes place in some forgotten Europe. I think Legend was suppose to take place in our thoughts, making the narrative more claustrophobic and thick with lots of gritty elements in the art direction really revealing us that we are inside of a dream. Tangerine Dream´s score, the US. version mind you, captures this hybrid and hermetic feeling more than the classical open-world Goldsmith´s score.
Tangerine Dream music score starts with a celtic flute like an echoed wind in hollow oak, making it´s way in a change of keys in the very beginning of the open titles just as the bear reaches for the beehive, like a low key, almost like the humming of the trees, going a little dark on the felling of the score for a bit, showing the orions that the magical forest has also survival elements. Later, we hear a four-stroke key every time the goblins appear, vaguely sounds like the J.F. Sebastian´s apartment in Blade Runner, when surrounded by various android-goblins.
That´s just a couple of artistic elements that we can see in Tangerine Dream´s bold and free-thinking score. To capture the obscurity and hermetic feel of Legend. Making a more significant signature, Tangerine Dream used a more mystic feel, like it´s not meant to be music at all.
And the whole score was made in 4 weeks no less.

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I prefer the Tangerine Dream score by far.

Goldsmith's score is good, no doubt about it, but it doesn't have the same transcendant effect TD's has. Truth be told, I feel that the American version - regardless of some rather poor editing - is far superior to the European version for that reason alone.

Standing there, on a road that leads to anywhere ...

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Goldsmith all the way! The track named darkness is haunting

DENNIS REYNOLDS: A well placed pen. It must have given him quite the thrill..

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Goldsmith. I love TD, but Goldsmith just hit the nail on the head with his score. TD didn't do a bad job either, although it sometimes felt out of place.

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Goldsmith's Ravel flavored impressionistic score is perfect. It gives the film much needed gravitas.

"Thus, we began our longest journey together."
Adult Scout, 'To Kill A Mockingbird'

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Although Goldsmith is one of my favorite film composers, the Tangerine Dream score better serves the mystical quality of the film.

In this instance, the Goldsmith score is very well crafted but lacks the life to support the themes and mood.

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In terms of which soundtrack is better, Tangerine Dream all the way! The other one is dull, frankly, not as well suited.


"I'd say this cloud is Cumulo Nimbus."
"Didn't he discover America?"
"Penfold, shush."

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Having grown up with the Tangerine Dream score for the movie, I will say that in my opinion their score is my ideal Legend score. I bought the Ultimate Collectors DVD set featuring both cuts of the film with both soundtracks. After hearing so much good things about the director's cut I really couldn't wait to see it. Although the director's cut is superior to the heavily cut American version, I just could not feel the emotion that I felt when I hear Tangerine Dreams soundtrack. But I am a kid of the 80's and I loved a lot of the soundtracks that Tangerine Dream created. From films like The Keep to Near Dark, I just love how atmospheric and dream-like their music was.



I'm just a guy that likes horror flicks.

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It's ironic that Ridley Scott had Tangerine Dream do their score at the last minute after a questionable test showing. He regrets it but, it's a powerful, indelible soundtrack to so many people who grew up in the eighties.

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The Tangerine Dream score was one of those mesmerizing things growing up and why I'm such a Tangerine Dream/Vangelis/Jean Michel Jarre/Mike Oldfield/Yes fan in general today.

So I find it very disappointing that score is entirely absent from all versions on the UK Blu Ray I have, the Goldsmith score just feels entirely generic by comparison.

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