I really enjoyed Enemy Mine but I couldn't help but get distracted by a few things:
How come Willis got stranded on the planet for three years when the rest of his squad were nearby during the battle scene at the start of the film? No one saw his craft destroyed so why did no one search for him? Why just label him 'presumed dead'?
Isn't it too convenient when Willis is spotted by the search team after his near-death scrap with the miners? What possible reason was there for them being there?
Also, from the moment Willis was spotted by the search team to the moment he went off in search of Zammis, would the miners really have still been on the planet and in the exact same spot, especially given that they'd seen other people on the planet?
Wasn't there some 'borrowing' off Star Wars going on?
The human fighter pilots in the battle at the start of the film used the word 'echo' in their communication followed by a number. Is this a reference to the Echo Base and outposts in The Empire Strikes Back? The scene was similar to the X-wing battles from Star Wars where the pilots say 'red' followed by a number.
The sand pit monster was very similar to the Sarlaac in Return of the Jedi. As well as the tentacle that grabbed Willis' leg (which the Sarlaac did to Lando Calrissian), the creature belched after eating one of the hard shelled creatures (just like the Sarlaac did after eating Boba Fett).
First off, this movie is loosely LOOSELY based on a book that may not have pre-dated Star Wars but certainly pre-dated Return of the Jedi.
The planet was just a back drop for a land (space) war between the two sides. They were focused on killing each other and wouldn't have bothered going down there unless they were preparing to colonize. Also, keep in mind he flew well outside of the battlefield in pursuit of Lou's fighter. The fight itself was much nastier than anyone had anticipated and so lack of a body / ship was quickly written off as a KIA.
The patrol followed some unusual activity from the planet and decided to check it out. Convenient, true - but then again ... it's a movie.
The miners were treated by the military the same way the police treat stoners in Amsterdam. It's not actually 'legal' per se - instead it's a case of don't get yourself in trouble and we won't trouble you. That's why Quaid narrates the shameful truth that the military 'looked the other way' with regards to the alien slavery.
Well, you could say they were borrowing from Star Wars or you could point out that they both borrowed from actual military jargon, call signs, and radio communications (think about the end of Independance Day).
You may be right there, not really sure - this movie was released two years later but was in the can for some time - issues with production and the studio. At any rate, the entire Star Wars series kicks serious A$$ (minus jar jar, young anikan, and a few other eye rollers).
My "only" problem I have with ENEMY MINE is that the film makers left one third of the story out. The middle part had Davidge going to the Drac homeworld to enlist the aid of the House of Jeriba to locate Zammis. Shigans parent and siblings reponse to an "Irkman" sing the entire Jeriba lineage back to the foundation of the planet was awe inspiring. If you all have not read the novelization, it is truly worth a read. That is, if you can find a copy. This part of the story is pivotal in explaining the end of the movie. It was sorely missed.
I just saw the movie on DVD. I remember seeing this movie on TV some years back. As I recall in the closing scene on the Drac world there was more than what I saw on the DVD. In the DVD there is a long shot that pulls back a little to fade out. Am I dreaming or is there closer shots in the final scenes? Another thing, the voiceover in that last scene doesn't seem to match up. Is it possible the DVD is edited from the original? Just curious, I liked it anyway.
I agree with DianaAthemiscyra. For those not familiar with the novel this part of the story changes at the point where it is discovered that Davidge is still alive after his body is retrieved from the planet.
When he returns to Earth Davidge forges a career as expert on Drak customs. Davidge then uses the money he earns from this to buy passage on various ships to travel to the Drak home world. Once there he has to overcome the prejudice of the Draks as he tries to rescue Zammis from an asylum (he has been locked up as he is displaying human qualities to the embarrassment of the Drak authorities). He eventually manages to have Zammis released. Then (as in the movie) he accompanies Zammis to the ritual where he sings the Jeriba family tree.
It has been about 20 years since I read the novel, so there will probably be some inaccuracies but that is the broad idea of how the novel differs from the movie. There was also more cultural exchange between Shigan and Davidge.
For anyone interested, the book is available from Play.com, Amazon and sometimes appears on auction sites such as Ebay. It is also available in the Barry Longyear novella 'Manifest Destiny'.
If this film was "borrowing" from Star Wars, it wouldn't be the first and it damn sure won't be the last. "I believe it is you who are mistaken...about a great many things."
The military jargon in Enemy Mine like the use of the phoenetic alphabet (alpha, bravo charlie....) is more relevent in this movie, based around a future Earth than how it sits with Star Wars. Don't get me wrong, I love the Star Wars saga, but I have always been hit by those moments in the films where they use Earthly type jingoisms, slang or humor common for someone from Earth not a Galaxy Far Far Away. As for simularities between these movies, if it has to deal with space or sci-fi there are only so many ways you can do lasers and space battles so that the public can follow whats going on. The only show that has taken a brave step forward in this area is the TV series Battlestar Galactica where they show spacecraft acting how they should in a vacuum. At least now people who are ejected into space don't blow up when exposed to a vacuum.
I am not really a fan of star wars. But this is a bum rap.<p>
One hears the same criticisms of films like the Robin Hood that starred Kevin Costner -- where he made no attempt to sound like an Englishman. Well why should he sound like a 20th Century Englishman. If he was going to sound like Robin Hood he would sound like someone from Chaucer. Exactly the same number of centuries separate Robin Hood's English from the 20th Century English spoken by an Englishman as separate Robin Hood's English from the 20th Century English spoken by an American. If you aren't going to have Robin Hood sound like Chaucer, you might as well have him use any contemporary accent. <p>
Similarly, any movie about another culture might as well have them characters speak using contemporary slang and jargon when they would be using the slang and jargon of their imaginary or real culture.
As far as 'other culture' stuff, (i.e. Enemy Mine or Star Wars or others), I just pretend as I watch that some translator was providing equivalent slang. I have studied both Spanish and German, and trust me, some colloquialisms just don't translate word-for-word.
In 'historicals', i.e. Robin Hood variations, it is more difficult. In those cases, when I can convince myself it is a 'translator', I get irritated because they are messing things up so egregiously.
I don't agree about using contemporary accents if you aren't going to sound like Chaucer...Robin Hood (and various other historicals) have a PLACE as well as a TIME, and that should be respected. If Kevin Costner wants to play a classic British character again, let him either learn to do an appropriate British accent, or let him get the movie re-set as a cowboy flick. It'd be less jarring that way.
I think you missed the point. Contempory British culture has no more in common with the culture of Geoffrey Chaucer than contemporary American culture has in common with the culture of Chaucer.
One of Isaac Asimov's characters makes this point in one of his earlier novels. It is one of two novels set in the same Galactic Empire as the Foundation series -- but preceded the events in those novels by a couple of millenia. In it our hero is an American from the 1950s. Somehow -- I forget how -- he is transported to an Earth under the heels of an oppressive Trantor. Earth has an underground liberation movement. They are the only ones who believe that Earth was humankind's original home. Our hero has to pick sides. He thinks he should pick the Earth liberation points. But a Trantor guy convinces him that, if Earth was mankind's original home, the 20th Century guy has as much in common with someone from Trantor as he does with the guys who never left Earth.
You're right for the most part, but it doesn't matter because the film entertains and is a lot of fun and is heartwarming and makes me cry and *that's* what matters. Consider that it's probably not possible to get a completely watertight script and even if it were, the effort, time, money, and screen time to do so might not be justified if the real intent of the drama can be relayed without doing so. I think there's a difference between a good script that has some holes that might distract you, as you say, and a piece of crap script that has little effort put into making it reasonable and you are there constantly rolling your eyes.
Does the story of blind hate giving way to understanding and compassion for others that are different work for you? Does the buddy story of Davidge and Jerry work for you? Does the story of Davidge's love for Zammis when he's lonely and Zammis is orphaned work for you? Does the story of a parent (Davidge) loving a child (Zammis) enough to risk his career and life to rescue the child work for you? Did you laugh at the funny parts? If all, most, or any of that worked for you, then the movie had a lot to offer to you in spite of some plot holes.
Presumed dead: If a ship gets blasted in space, it presumably disintegrates into shards and whatever homing beacon it has drifts off until it's way out of range, never to be heard from again. That would seem to be the usual case of a blasted ship, so I think you could expect they would often mark people as "presumed dead." So we assume that Davidge's ship crashed on a planet out of range and that's it. That seems reasonable.
"Dead" Davidge rescued: Yeah....I agree that was bogus. Just a few lines and a few seconds of screen time could have given some justification that would have made it better.
Long term miners: Sure they would be there. They had a base set up at whatever expense, they have a supply line, they have cargo ships coming, etc. They're going to be there for a while. We've already been told that the law does not pursue them aggressively. I can point to some blatant houses of ill-repute here in Houston operating for many years with total impunity: large brick & mortar establishment, blatant neon sign right on the freeway, blatant yellow pages ad.
Borrowing from Star Wars: Maybe, but there is nothing new under the sun. Star Wars itself borrowed from other sources.
Sand Pit monster: Ok and I'll give you this may be a valid point unless we find that the novel or script predates Return of the Jedi, as someone else has stated. But device borrowing is pervasive everywhere...even Shakespeare borrowed plenty. Often you can take the borrowing as a wink or an affectionate reference to the original.
In this case maybe not that enough effort was put into the shortcomings that you mentioned but lots of effort was put into the adopted family relationship, the friendship motif, the universal truth motif and other motifs that were more the real point of the story.
Y'all may be just giving credit to these other similar sci-fi stories because they are sci-fi. But, the theme of sworn enemy combatants finding (for lack of better term) humanity in each other and forming a friendship is very old, indeed. It wasn't invented by Star Trek; it wasn't invented Star Wars They are not all rip-offs of some original ages old. Otherwise all stories would be a rip-off of ancient stories or Shakespeare.