Has anyone seen this in theaters? Upon release or otherwise?
If so, what was the reaction from the audience during famous scenes? Thank you.
I'm just curious.
If so, what was the reaction from the audience during famous scenes? Thank you.
I'm just curious.
I was 10 when it came out, but all the older kids were talking about ho funny it was. My brother seen it like 3 times within two weeks he loved it so much, so it was very popular among the teens. I was lucky enough to have had an uncle who rented it in early 1983 when it hit home video and I got to sneak it when everyone was alsleep, I knew almost every scene cause all the teens talking about it over the summer. It got promoted pretty good too, the commercial was on a lot.. I wish I was old enough to have seen it on the big screen. It was very cutting edge for it's time..
shareHaha, that's cool you got to sneak it in. Cool to hear that everyone was talking about it.
shareI don't remember a big reaction. The movie had laughs but not big laughs. It did resonate with me because I was the same age as the characters. I remember going to this, hoping this was a bit like Animal House, which to me was the gold standard of film at the time. It wasn't. It was sexy but it was gloomy too. It was real. I enjoyed it, all of the famous scenes of course as well. I just didn't realize we would still be talking about this little film in 2016. It's kind of funny but that's how classics happen.
shareIt's close, but I think I like Fast Times a bit more than Animal House, VERY close.
I wasn't expecting it to be as gloomy either. It is a bit weird how classics happen, wonder what movies we'll still be talking about decades from now.
Saw it with my brother at the Americana theatre in Van Nuys CA upon first release. I was 14, he was 12. We would always buy a PG ticket and then sneak in to the R-rated films after the lights had gone down and the "coming attractions" were being shown. We chose this particular theater because we knew there was very little checking going on to throw out kids from R-rated films not accompanied by a parent. Once you got in, there were no ushers with flashlights trying to throw you out like at some other places.
At first viewing, the movie was more interesting and amusing rather than laugh-out-loud funny to the point of pissing yourself the way "American Pie II" or some of these sillier films are. Still the older girls in the theatre with us during this Saturday matinee were cracking up every time Sean Penn did one of his scenes and this told us there were things going on that were more subtle in nature which we did not yet understand. We saw it at least 3 or 4 other times in different theatres, including at the Sherman Oaks Galleria where the mall sections of the movie were filmed. Every time we saw it we laughed more. 34 years and many VHS and DVD copies later, we are still laughing, still not really that hard but with much added understanding and nostalgia. The "laughs" of this film have a deep and satisfactory flavor to them full of little "truths" you don't get from other "comedies," simply because this is comedy mined from real-life teenage drama almost on the verge of tragedy rather than simply an attempt to make people laugh. The comedic aspects of this film belie how deep it can be from a different and simultaneously active perspective.
I would say that "Fast Times" is the "definitive" high-school film of the past 30 years and, without question, a classic. I don't think either Cameron Crowe or Amy Heckerling has been able to match the quality of this film in their subsequent work.
Thank you for this!!! Seems like something my brother and I would do. I felt it got funnier upon rewatches as well.
I can't think of a better high school movie either.
I went with my older sister and her boyfriend as I was about 15 at the time. I remember liking the drum beat opening until I realized it was the Go-Go's (it was uncool for guys to like them). The first shots teens just hanging out and/or working at a Mall rang true. Big laughs came from "You dick!" and the final "Awesome! Totally Awesome!" Many of my high school kids did a Spicolli riff after that. Glad I saw it back then as it sticks as on of the best 80's representations of the time, as Clueless did for the 90's.
shareHa. That's funny about the Go-Go's. Not surprised people laughed at the "You DICK!" part.
Wish I could've seen it upon release.
Exactly! It's funny because I listen to 80's on 8 all the time and have grown fond of the Go-Go's. I've been very lucky to see many iconic movies in the theater, oddly proud to catch Friday the 13th: The Final Chapter one chilly evening with friends.
shareThis was the early days of New Wave music. Only guys who did not have problems with their masculinity could listen to New Wave music and not be ridiculed by their Black Sabbath, Judas Priest and Van Halen listening friends. I remember around this time telling a friend of mine that I bought the new Peter Gabriel album "Security," the one with "Shock the Monkey" on it, and listened to it often. The look on his face was priceless. I could have just as well told him I had turned into a homo, that's how much they looked down on "New Wave," even though, technically, Gabriel was Prog-Rock/New-Wave fusion and not purely New Wave like the Go Go's or Flock of Seagulls.
I also hated Elvis Costello at the time (I love his early albums now), so it really annoyed me to see some supposedly "cool" guy, Damone aka Robert Romanus, having Elvis Costello posters on his bedroom wall. They did make up for it with the Led Zeppelin and Blue Oyster Cult scenes though plus the part at the end about Spicoli blowing his surfing prize money on getting Van Halen to play at his birthday party.
Exactly! I clearly remember running into a friend/classmate while we were both about to get albums at a (now defunct) department store. I asked him what he was after, and he sheepishly said "Oh, uh, Culture Club. You?" I puffed my chest out and proclaimed "Judas Priest. British Steel!" The funny part about that is the Culture Club buyer came out of the closet a few years before Rob Halford of Judas Priest did. I just took their outfits as looking really badass and tough, never thinking of the implications.
I got into Bob Dylan, nearly by accident, around the nu wave/new wave scene, so, naturally, got outcast for being into some folk singing hippie. If anything, it gave me something to talk about with the art teacher crowd. Your point of a lot of the stuff being looked as "soft" was spot on. Into Howard Jones, Nick Kershaw, The Motels or Kajagogoo? May as well hang it up and go play with dolls. These days, they're all on my playlist. Then you had neutral stuff like Def Leppard, AC/DC, early U2, etc.
Your comment on Dimone made me think of an Freaks and Geeks Episode called "Kim Kelly is my friend." The allegedly "tough" chick of the school, who terrorized the geeks, was usually seen sporting a Journey 3/4 tee.
Finally, an I know you'll appreciate this: I'm going to see The Alarm tomorrow night (with my 21 year old son, no less). Only took me 35 years to finally get there.
The early New Wave from around 1980 to 1983 was the best New Wave but like I said, you had to feel comfortable in your masculinity to listen to it as anything but a guilty pleasure. By around 1988 or so, I felt secure enough to have all the milestone New Wave albums in my collection but even then you had to be careful what albums you played in public or for your friends. It was one thing to play The Police or The English Beat or Siouxsie and the Banshees and early Elvis Costello and whatnot and an entirely different affair to start playing Spandau Ballet and Duran Duran. Guys like Billy Idol, which both the hard-rockers and the New Wavers listened to bridged the gap but New Wave was the official "in crowd" music of the high-schools I attended all the way through to at least 1985.
After 1985 it went into decline and the neo-hard-rock/punk fusion of "grunge" was promoted. Of course, once they brought "gangster rap" in, they managed to decimate the sensibilities of most young people to the point where they wouldn't even know a well-done and artistic piece of popular music if it bit them on the ear. Punk and grunge had very nihilistic, "nothing has any value," "destroy all music and start over" messages to their aesthetics, hence very good for dumbing down the public. But how to get them to stay greedy and materialistic to consume endless products? Well, the low-life crass materialism of "gangster rap" and its "dumb criminal" mentality was brought in just in time to save the day and make people even more stupid. Disco and its attempt to de-intellectualize and de-hippify the sexual revolution and turn it into pure hedonism only worked for about 5 years, whereas the far more culturally vacuous and destructive rap songs by endless obnoxious jerks have continued to program a degenerate "ghetto-of-the-mind/mind-in-the-gutter" mentality in the general public unabated for nearly 26 years. That's why we're living in an anti-culture environment now and have to go back to old albums and movies and books to experience culture.
Well said, synergetic. Imo, rap/hip-hop is the lowest point of music history. It's only glorified violence, racism, and lack of musical ability and melody (and talent). As i said (before anyone throws a fit), that's just my opinion.
share[deleted]
Peter Gabriel has always been ahead of his time, making music that's not identifiable to any particular genre or decade/s.
I can't believe 'Rhythm of the Heat' came out in 1982. Compared to everything else that was coming out in then, what was it like listening to that album for the first time back then?
I loved the "Security" album by Peter Gabriel. I thought the big hit "Shock the Monkey" would be the only good song on it plus some filler but the entire album was brilliant from first note to last.
Although Gabriel was known to be the former lead singer and flutist of the most surrealistic and bizarre and "trippy" prog-rock group of all time, the original Genesis (plus the last two albums with Hackett still on board as guitarist and Collins singing in a Gabriel-imitation style which I and many other fans also consider "old Genesis"), he was still considered New Wave at the time in his new "short hair" incarnation, and my friends made fun of me and called me a "wus" for listening to it constantly, as in obsessively, over and over again like my two other favorite albums at the time: "Moving Pictures" by Rush and "Who's Next" by the Who.
For me, as a 13 year old teenager, those three albums contained the secret of the heroic life, the true "romance" of present times, if only I could decipher it.
Struggling to achieve a certain plateau of "masculinity" as most teenage boys do through sports and games and one-ups-man-ship and naughty deeds behind their parents' and teachers' backs and whatnot, most of my "New-Wave-Sucks" friends loved "Moving Pictures" and "Who's Next" also but wouldn't "jump ship" from the hard-prog-rock of Rush and the hard-rock / maximum-r&b of The Who to the new-wave-minimalist-prog-rock of Gabriel, despite the fact that all the members of Rush loved solo-Gabriel and Genesis both and considered them huge influences.
Those three albums formed my personality probably more than my own parents. lol They are, without question, works of the highest artistic merit that will still amuse and amaze listeners, especially younger ones just past puberty ready to tame the rebel-spirit in themselves with temperance and not compromise, a hundred years from now, regardless of the "rock" idiom they were conceived in and promoted through.
"No his mind is not for rent
To any god or government
Always hopeful, yet discontent
He knows changes aren't permanent
But change is
What you say about his company
Is what you say about society
Catch the witness, catch the wit
Catch the spirit, catch the spit"
from "Tom Sawyer" by Rush; lyrics by Neil Peart
"Thick cloud - steam rising - hissing stone on sweat lodge fire
Around me - buffalo robe - sage in bundle - rub on skin
Outside - cold air - stand, wait for rising sun
Red paint - eagle feathers - coyote calling - it has begun
Something moving in - I taste it in my mouth and in my heart
It feels like dying - slow - letting go of life
Medicine man lead me up through town - Indian ground - so far down
Cut up land - each house - a pool - kids wearing water wings - drink in cool
Follow dry river bed - watch Scout and Guides make pow-wow signs
Past Geronimo's disco - Sit 'n' Bull steakhouse - white men dream
A rattle in the old man's sack - look at mountain top - keep climbing up
Way above us the desert snow - white wind blow"
from "San Jacinto" by Peter Gabriel; lyrics by PG
The Americana Theatres!That is a blast from the past.I saw many,many films there.It was really the first theatre in the Valley that was a multi-plex back in the '70's.
I saw the movie in Hollywood on opening night,and Sean Penn did get the biggest laughs,but the scene where Judge Reinholdt gets caught by Phoebe Cates got big laughs right before she opens the door.A lot of the reactions were sympathetic groans after that.
I spent many weekends at the Sherman Oaks Galleria back then.I even worked at this black glass tower bank right down the street from it,and would spend my lunch hour eating at the food park there.The only thing that didnt ring true was the line about not being able to get cable there.My friends in Sherman Oaks were the first people I knew that had premium cable way back when.
Yes. Z-Channel and all that. Then SelecTV. My parents wouldn't let me hang out at the "Sega-Center" arcade at the Galleria or at any of the Seven-Elevens that had video games because according to them "there are too many punks and drug-addict kids over there." I remember my dad pulling me by my ear mid-game and taking me home where he gave me a long lecture about why if I hung-out at these places I would turn into a juvenile delinquent, somebody would spike my drink and turn me into a drug-addict, etc. He was not entirely wrong but that neighborhood was very middle class and safe compared to the neighborhood where the Americana was, closer to the Van Nuys barrios north where quite a few Mexican street gangs were, if I remember correctly. Sega-Center is shown at the beginning of the film when "We Got the Beat" is playing.
shareNope i was 2 or 3 when it came out
shareI actually saw this at a drive-in theater. It was kind of weird, since the main railroad line was right next to the theater, so the trains going by would make it hard to hear the movie. Even worse, for some reason, the projectionist stopped the film just at the part where Jeff Spicoli runs into Brad at the convenience store. Lots of people honked their horns to indicate their dissatisfaction, but the film never came back on.
It was quite some time later before I finally got to see the end of the movie.
I saw it the weekend it opened in Long Island, NY; it was the weekend before school started. I remember how depressed I was afterward, because school started in 2 days and the movie ended after the last day of school. I was homesick for summer!
Unlike the other people who commented, the theater laughed out loud to such a degree that I didn't hear many of the lines until years later when I watched it on video. An example would be the last line of the movie, when Sean Penn says "Totally awesome!!". I never heard the "Way to go, Hamilton!" line. Same thing when he says "You dick!!" to Mr. Hand. Mr. Hand's line was not heard due to the laughter in the theatre.
I just watched this on Showtime in a hotel this week. I have to say, growing up the '80's, this movie encapsulates all that was about that decade (I graduated high school in 1985). This film will always have a place in my heart.
FWIW: in 1982, I also bought the double album soundtrack, which IMHO is one of the best movie soundtracks ever.
That is too awesome! I would've loved to experience it at the time with a large cinema audience, shame about not hearing some lines though. It's my favorite high school movie and I was raise through the late 90's early 2000's. It's timeless.
I think best time of year to watch it is before summer, right before school's out.
I saw it in theaters in 1982, spring I believe?
There a wasn't much of a crowd reaction other than laughing at the Spicoli scenes. This was a film that became massively popular after its initial theater run, with VHS rentals and cable TV reruns.
Yeah, I knew it made a good amount in theaters. It makes sense that most popularity came afterwards, maybe through word of mouth.
shareI don't recall a strong reaction except maybe for the Spicoli pizza incident.
share