Does anyone know the name/composer of Ms. Orme-Herrick's lugubrious cello piece? I'm afraid that I kind of like it! Or at least, I can imagine how nice it might be, and would to hear it played well.But I don't know what it is, so don't know how to look it up!
I think it's Faure's Elegie...in the novel it's noted that the musician isn't playing the piece well. Also something about her having a mustache is also in there..hey that's Waugh for you and I am not an 'expert' as such...but I'll say I can get around in the genre...;-)....
I've been listening to the Elegie and other Faure cello sonatas on my Napster/Rhapsody account, and enjoying them greatly. I'm convinced that one of the great musical divides is between those who like the somberness of music in a minor key, and those who don't. This divide spans genres, so that someone might like "folk" music generally, but shy away from or gravitate toward songs or tunes dependent on a minor chord or two.
I'm one of those people who likes the somberness. So it was nice to be able to hear the whole thing, and to hear it played well. There's a nice vid of Julian Lloyd Webber playing it on Youtube, but also some online performances in the Orme-Herrick vein (not terrible, but still somewhat off). I suspect that this is a piece which is easy to get wrong, since it seems so dependent on pacing. I also suspect it stands, for Charles, as a return to the bleak tastes of his family's "set," compared to the Baroque splendors that the Flytes introduced him to.
But I'm pretty ignorant where classical music is concerned -- didn't even known the name Faure until your posts. But I am particularly fond of cello music, and so very much appreciate your help in finding Faure, and think that Miss Orme-Herrick was unfairly libeled. Her version of this song may not be the ideal performance, but it is much less dreadful than Charles's awful South American paintings that the TV series had on display. I always laugh when I watch that scene, and imagine the film's art director having fun creating that set. Antoine's "well-reasoned abuse" in that scene is one of the best bits in the series, I think, and so I would tell Charles that people in glass houses . . . .
I also suspect it stands, for Charles, as a return to the bleak tastes of his family's "set," compared to the Baroque splendors that the Flytes introduced him to.
Sure looks it to me as well. And when I first saw the Brideshead "manor" musically I heard Handel all over the place. On the other hand, there is that somber melancholy for a long gone past which comes through in Burgon's exceptional music. We appear to get both the "major and minor" in Brideshead.
As most no doubt know Mr. Burgon died in 2010. I thought his music writing wring for the series was so appropriate. His notes captured the themes of Bridehead so surely. As a result of Brideshead, I was introduced to all his other works as well. Choral works, vocal, orchestral etc. Fine works all. Perhaps not in the "popular" catalogue as Brideshead was but nevertheless it is unique and beautiful music.