At what point in the movie...
Did you realize that the characters were off and slightly crazy? For me it's the scene where Sam Neill is in the rocking chair and tells Isabelle she has to leave and ends up putting her in the bed naked.
shareDid you realize that the characters were off and slightly crazy? For me it's the scene where Sam Neill is in the rocking chair and tells Isabelle she has to leave and ends up putting her in the bed naked.
shareI really like your post, it's an interesting thought to gather after watching this effing movie. For the record, I can't get it out of my head, it's so visually striking and just impressed me beyond belief with the editing, direction, and of course the performances.... but when it comes to the narrative I get all iffy because I don't know if it's portraying mentally ill people from start-to-finish or if they "snap" at some point -- like for example when you feel it's when Sam Neill is in the rocking chair.
I thought they were both insane, unstable individuals in the "pre-divorce" discussion at the restaurant. The two of them are positioned apart from each other in such a weird way -- they're just SO DRAMATIC! Like that scene where Sam goes tearing through the restaurant and throwing every single chair in his path around -- it looked like he seriously wanted to hurt Isabelle and then she's just making it worse by kind of letting him chase her as she screams her head off... I would've just tried to exit the building and call for help. But that's the realistic part of me -- sometimes I wonder if this film has a setting in reality at all. The restaurant scene shows a couple peripheral people standing (I think) who are watching what's going on, but it's pretty much depicting these people in empty places to where it looks like they are the only people who exist.
I knew for certain they were disturbed people after one of the frenetic argument scenes in their gross messy house -- and she's like screaming in the bedroom and she slaps him -- and the way he just transforms his mood into this weird sexual undertone by saying "Do it again" and how she just slowly begins to smile with her bloody teeth. At that point I was convinced it wasn't just about the female/Isabelle being psychotic -- it's definitely about BOTH of them as a pair just losing their sh*t.
Honestly I kind of give up on the narrative aspect. I watch it repeatedly and I can never figure stuff out, so I love to sink into the masterpiece cinematography and just Isabelle acting like a scary ass creepy woman from hell - the camera captures both her insanity and her delicious beauty at the same time. I get chills at the part she MANIACALLY STARES directly into the camera giving like the effing evil eye UGH it's so SCARY lol. She seriously looks like a mentally ill person -- sometimes the camera captures stuff that just looks way beyond acting to me. I understand why Isabelle called it "emotional pornography" because it's like a movie that depicts the evil in humanity so candidly that it's terrifying. I sum up the movie as just evil. I think it's about evil possessing her, and then she radiates it to Sam Neill's character after it "happens" when she says "it's difficult" or something in the kitchen scene. I dunno.
This couple definitely had to have met each other in a psychiatric ward. They probably even got married in some morbid way. Two extremely morbid people.
(Sorry I did digress quite a bit, I don't want anyone taking my wannabe-analysis to heart, so if you have a different interpretation, that's fine, I'm just sharing my thoughts. People on these boards are pretty rude and hateful.)
Thanks for your interpretation, I enjoyed reading it.
I'm in the same boat with how to really see what it going on. I first watched this movie because it made a list of" top ten unseen horror movies" and given I love the horror genre I picked it to watch. I’m an advocate and lover of strange and/or weird films as a general rule of thumb and I’m always looking for something a bit obscure, so this one really is quite special. Zulawski has fabricated quite a modern day fable for adults which is undeniably powerful even though he does not wish to provide us with any easy resolutions. Nor does he care to give us characters with clear motivations which makes Possession a confusing watch indeed, though it’s definitely worth it for us weird film enthusiasts. Isabelle Adjani is, undoubtedly, a marvelous actress & manages to pull off one of the most impressive, raw performances I’ve ever seen. There are, in fact, several moments during Possession that rightfully deserve high praise & those are usually when Adjani graces the screen with her psychotic overtones, or her unusually sensual charms.
But anyway, I was just curious to know other people's thoughts.
It took me to the scene when she starts putting the clothes in the refrigerator while saying she has to do the wash.
As far as he was concerned I never thought he was gone. He just seemed to be desperate to have her back at any cost. Which in itself may be construed as over the edge anyway.