Schizophrenia


Did anyone else think that Andre was supposed to be schizophrenic in the movie?

I dont know if anyone noticed the inappropriate laughter (at which the maitre d gives him some disgusted looks).

Also, some of the stuff he was talking about, did not make sense at all (small stuff, or rather, short sentences that were totally meaningless, such as the roof that gotta float to (meet?) UFOs and the gales of scotland!!

Another thin, why was the Maitre D giving WS all those condescending looks throughout the dinner?!! I doubt its only because WS was poorly groomed

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This might be a generational difference. Andre is coming from a 1960s/1970s perspective, when many of his life experiments took place. It was a time much more open to new possibilities, new approaches to life -- not all of which panned out, needless to say. Andre admits as much later in the film.

Things weren't quite as conformist then, and deviation from the social status quo wasn't automatically & necessarily seen as mental illness. Someone with Andre's outlook would easily be accepted as (for example)an artist then, perhaps with something new & vital to say; whereas today he'd probably be medicated immediately! And the loss might well be ours ...

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Hi OW, thanks for taking the time to reply

The odd interests that Andre had wasnt what I meant, what i meant was his incoherent sentences sometimes ( Must watch the movie again to give you examples). Also, his inappropriate laughs (really loud laughs), and why was the Maitre D giving them those odd looks the whole night ...

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Ah, I see what you mean!

My impression:

Andre had reached a point in his life where he wanted to break out of what he called "robotic living," acting according to the socially approved script. Instead, he wanted to be more spontaneous, more immediate, even if the circumstances demanded something more "appropriate." So his words often came out uncensored & unpolished, even incoherent; and if he felt a need to laugh out loud, he did so, even if it was against decorum.

The restaurant was obviously a very high-class, eminently civilized establishment. The waiter had undoubtedly been there for years, probably even decades, and had very exact & proper ideas of how guests should behave & comport themselves in such an elegant setting. Andre was going against all of that, of course. (And Wally simply looked as if he didn't belong there in the first place.) Hence the waiter's silent, disapproving glances, which spoke volumes.

Anyway, that's how it seemed to me!

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I totally agree with you, you make a very strong point. However, I want to watch the film again, and give you exact examples of what we call in medicine and psychiatry (Loose associations) that i believe Andre exhibited. Nonetheless, the movie is an amazing one.

I would love to know of any similar movies that you would recommend.

Sincerely

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I'd be delighted to hear what you have to say on this topic!

Full disclosure: on the Pragmatic-to-Romantic scale, I fall firmly on the Romantic side, so I'm more likely to see some actions as "artistic" rather than "medical," of course. I also recognize that this can easily become a blind spot for me -- we all have them, after all. So I'm curious to learn more about your interpretation & viewpoint of Andre. The beauty of a film like this is that it's a wonderful jumping-off point for so many ideas.

I'm sure you've seen "Mindwalk" mentioned elsewhere on this board. While not quite as engaging as "My Dinner With Andre" (in my opinion), it should also spark new lines of thought to pursue -- often because you may disagree with some of what's said.

But let me think about it ... there are other films, some of them outright dramas rather than conversations, that'll provide a rich feast for the thoughtful. I'll try & come up with a few titles this week ... "2001: A Space Odyssey," for example.

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Owlwise, you just summed up one of the biggest problems with today's society

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Based upon the interviews and essay on the Criterion release and what I've read elsewhere, some of Andre's disconnected dialogue my be due to Andre's lack of training as a film actor. I do think he flubbed some of the dialogue, but have not been able to confirm it after checking 2 versions of the screenplay.

There was an element at Findhorn that definitely believed in UFOs and making contact with them, so that is not made up by Shawn (who wrote the screenplay). I think there is more of an undertone of drug use in the script than mental illness. Andre's adventures would have happened during a time of great exploration with drugs in the US and worldwide, and THAT may have contributed to some sort of breakdown in Andre's (actual) life.

I think the waiter was cast as a foil for both Andre and Wally to play off against.

Ben
aka Undertoad and toadrunner. "The Road is life." -Jack Kerouac

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Hi Ben, thank you very much for your informative reply. I understand that the Findhorn group do have bizarre beliefs, but Andre's speech was extremely incoherent in some parts, add to it his inappropriate laughter, and you get something that is very close to a type of schizophrenia called (Disorganized Schizophrenia.

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[deleted]

No, YOU SHUT UP.

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I didn't get the feeling that he was schizophrenic, but in listening to his certainty of the meaning of tiny synchronicities informs me he might be a tad delusional. But concerning his visions, I believe he truly experienced many spiritual experiences, mini satoris, and enlightening experiences, and though it's not mentioned in the film, I'm certain drugs were involved, san pedro cactus perhaps, or peyote, etc... during different rituals. But the awareness of group consciousness is not about creating something that isn't there, but rather awakening to what's always been.


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I think that most if not all of the specifics that Andre talks about are not based on reality - it's not how things actually happened but how he dreamt or imagined that they happened. For instance, the photograph he shows seems to be totally at odds with his demeanor when recounting the story of Poland. If we assume that he actually did go to Poland then I think what happened there was not at all like what he recounts. I think a lot of his stories were just based on dreams he'd had.

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See, I disagree with that. I do believe he is describing his spiritual experiences as they occurred exactly, but doing so in a way that is as if anyone could relate, which of course one could not, but only marvel at the possibilities of our realities and experience hinted at in their dissemination.

I've had some rather profound experiences in my life that defy human understanding, but describing them would likely sound similar to Andre on the movie, whoever I'm describing them to doesn't know what to say as they have no ref. point to draw from.



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"...which of course one could not, but only marvel at the possibilities of our realities and experience hinted at in their dissemination."

Geez really?

Even though this film is dated, in terms of script, it's still a good film and worth watching. This is characteristic of how the baby boomer generation talked about life experiences with one another during the early '80's. It's just a movie about a conversation, but what you share with friends are the important moments in life. Not too complicated, and no...there are no schizophrenia patients in this film. Get a grip drama queens.

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Well said! It's difficult to convey inward spiritual experience without sounding just a little bit crazy to others, I think. The 1960s & early 1970s were more open to that sort of thing, and audiences who had been through those times could probaby understand Andre with more immediacy than a younger viewer today might, when experience is often cast in more medical terms.

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Thankyou... also the thing about the '60s is that while they were more open, they were also more naive, and searching and not too discerning, so they got taken in by a lot of false prophets, Charles Manson, Osho... a lot of crazy cultists out there... even today, there's some severe orthodox, cult-like groups out there like Chabad.

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The stories Andre tells in the first half of the film, are too far-fetched for anyone to think he's anything but a nutcase. He's either hallucinating, or making stuff up to impress Wally.

Andre sounds as though he's reciting fairy tales. European forests with trees so big it takes 8 people to wrap their arms around the trunk. Supernatural monsters appearing at a Catholic Mass. And a place where farmers allocate special gardens for insects to eat, because they have trained the insects not to eat their crops.

As for the grooming, Wallace's wild hair was appropriate for the time period. I find it interesting that Wallace puts on a tie prior to entering the restaurant, but it seems Andre is the only person in the restaurant without a coat and tie. It seems the staff would be staring at Andre for his casual attire, in what appears to be a very upscale restaurant.

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Andre's stories may sound far-fetched today, but in those days, the post-1960s, they were fairly reasonable ... or at least, people were far more open to seemingly impossible possibilities, and the definition of reality was a lot more fluid. It's a matter of tastes & changes in culture, worldview, and acceptance (or denial) of metaphors & human experience. Current definitions of what human experience can be are far more restrictive & reductive than they were then. It's a matter of the experiential pendulum swinging back & forth as society changes. Did all of Andre's stories "really" happen? Better to ask, what did Andre "really" experience within his psyche & his life, which were then in a state of flux & uncertainty as he tried to break out of what he considered robotic living.

We're not merely talking about different worldviews, but different innate temperaments: what the more pragmatic person sees as crazy, the more artistic person may see as visionary. Was William Blake "just a nutcase" when he wrote about his many visions 200 years ago? By current standards, he'd probably be carted off to the nearest mental hospital. Yet he created magnificent art & poetry, and understood the effects technology & what he called "single vision" -- a reductive view of life, the very thing Andre was trying to escape from -- would have as it increasingly became the prevailing outlook of industrial civilization. Currently even basic human emotions, in all their mystery & richness & complexity, are turned into mere pathology: illnesses to be curbed & cured, preferably with an array of drugs. There's event an attempt to (re)define rejection & defiance of authority as a mental illness, something to be treated as sickness, rather than faced & grappled with as an expression of moral outrage or political dissent. All very handy for the powers that be -- as Andre warns at one point in this film, which is now more than 30 years old & yet all the more timely.

Perhaps you're trying to explain Andre through black-&-white vision, while he's living in a world of vivid color -- and since you can't see it, can't understand that it's his inner experience of life & the world, you reduce him to "a nutcase" rather than at least question whether you might be missing something yourself.

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William Blake? Is that the guy who played Beretta on TV?

Save all your condescending liberal intellectual blabber.

By any standard, 1979 or 2014, Andre is a nutcase.





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This is a film that invites thoughtful, intelligent conversation about life, reality, art, love, death, perception, meaning.

You're welcome to join that conversation any time you want.

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In review of your other posts about these forums, you're an old hippie still fighting the cause. We have nothing in common.

I'll take from the film, what I choose to take. Based on my own common sense and life experiences. I don't need to live in a fantasy world. Perhaps you do.

Now go smoke some more dope and listen to your John Lennon albums.

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One of the major points of this film is that people who pride themselves on being practical & realistic may well be in the grip of an extremely powerful & controlling illusion (or self-delusion). That "realistic" world is itself a fantasy, one that people unconsciously agree on because it's all they've ever known.

And if by "hippie" you mean someone who wants to look beneath the surface of things & discover what life is really all about, and who treasures beauty & wonder & meaning over short-sighted greed & violence, then I happily plead guilty. It just seems to me that there is indeed more to life than being a programmed consumerist robot.

Of course, this ongoing discussion may well be a matter of two very different personality types talking past each other. Different people do experience the world in different ways -- what is valid & seems normal to one seems strange & pointless to another. It's not that one is right & all others are wrong, it's simply that we literally do not experience life in the same way. Nothing wrong with that! In fact, I've been enjoying this discussion as it reminds me that my way of seeing & being in the world is not THE way, just MY way.

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Now go smoke some more dope and listen to your John Lennon albums.


Geez, eelb, why the hostility? I am more or less a pragmatic, conservative type, myself, but still don't consider making unprovoked, insulting replies, like what you're doing here, appropriate civil conduct.

Owlwise could be a raging liberal, burnt out, aging hippie or an uber-reactionary, right-wing kook, for all I care; but either way, he hasn't said anything to merit the unfriendly way you're treating him here.

Secret Message, HERE!--->CONGRATULATIONS!!! You've discovered the Secret Message!

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Thank you for that, vinidici.

I'm not one who insists that my interpretation of the film is the one & only true interpretation. In fact, I've enjoyed thoughtful discussion of different interpretations -- after all, that's one of the points of the film to me. I'll argue for my interpretation, of course, but I hope without personal insult or invective.

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The poster attempted to establish intellectual superiority over me, by referencing a writer, who is all but unknown except by serious students of English Literature.

Perhaps the poster's insult was purposely abstract, as to be passed over by other readers. When I respond to insults, I don't pull any punches.

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No one was trying to establish intellectual superiority over you. I was just offering William Blake as an example, because he's actually known to a great many people, not just serious students of English literature. His name can be Googled easily enough these days, for those unfamiliar with him. And Andre references him in the movie itself, so I'm only referring to something that's already there anyway.

This isn't a matter of superiority & inferiority. It's simply a discussion. You have your opinion of Andre, others have theirs & attempt to back it up . As I've said more than once here, a discussion with differing viewpoints is one of the things this film is all about in the first place. Certainly Andre & Wally differ on a lot of things! But they do so without rancor or insult.

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[deleted]

You have to be called insane for confirmation of your own sanity; because the world is mad.



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Interesting theory, might have to rewatch this.

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